Critic Reviews



Based on 11 critic reviews provided by Metacritic.com
Director Andersen’s pacing is dynamic, allowing white-knuckled viewers to catch their breaths before he takes it away again. This isn’t a sequel, it’s an after-shock – and a doozy at that.
With well-staged action, good character work, and believable progressions from the previous installment, The Quake is the sequel that fans of “The Wave” deserve.
John Andreas Andersen’s The Quake, a sequel to the excellent 2015 Norwegian disaster film The Wave, should be required viewing for all of today’s Hollywood franchise jockeys. It shows you how to make one of these things without sacrificing your characters’ souls (or your own, for that matter).
That The Quake can still grab, alarm and thrill is a testament to skilled storytelling, empathetic performances and effects that rewrite the book on how disasters play out on the big screen.
When the trouble does hit in this film, it hits hard, at which point all the investment in character pays off.
The Quake offers visceral thrills.
Slant Magazine
When the devastating quake finally strikes, it creates a truly suspenseful scenario of vertiginous falls and last-minute saves.
This Quake delivers with skill. The build-up to the disaster nicely intensifies with a feeling of dread, and some of the subtlest early effects are the most powerful.
There’s nothing terribly profound or innovative about what The Quake achieves. But like “The Wave” before it, it’s just intelligent and serious enough to give you your escapist cake — deluxe popcorn perils in all their big-screen glory — without making you eat the familiar guilt of empty-calorie overload.
Joner is a capable actor, but he’s required here to remain for such a long time in a one-note condition of mental fragility that our sympathy for the character starts to give way to exasperation.

More Critic Reviews

See all external reviews for The Quake (2018) »

See also

Awards | FAQ | User Reviews | User Ratings | External Reviews

Recently Viewed