The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.
Benicio Del Toro,
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. After being double crossed for the attempt and on the run, he sets out for the real killer and the truth.
East of Boulder Flats, deep into the vast and unforgiving white territory of the Wind River Indian Reservation, the seasoned game tracker, Cory Lambert, discovers the frozen body of the young Native American, Natalie. As this is a federal crime, the F.B.I. dispatches the inexperienced but courageous agent Jane Banner to lead the investigation, however, the unprepared outsider will soon team up with Cory to unravel the mystery of Natalie's murder. Before long, Cory will inevitably have to face his own past, while at the same time, both he and Jane are thirsting to see justice done. In the end, will this be a fruitful alliance?Written by
The grueling location shoot was filmed in real blizzardy conditions with crew and equipment being primarily ferried to locations on snowmobiles and snowcats, since regular vehicles were totally unsuitable for the hazardous terrain. Cleaning up unsightly vehicular tracks left in the snowy landscape had to be done with some compositing in post to keep the vista in 'virginal' condition. See more »
During the standoff scene, the patch on the BIA officer's jacket reads "Bureau of Indigenous Affairs" rather than "Bureau of Indian Affairs" like it should. See more »
There is a meadow in my perfect world. Where wind dances the branches of the tree, casting leopards spots of light across the face of pond. The tree stands tall, and grand, and alone, shading the world beneath it.
[girl running frantically]
It's here, in the cradle of all I hold dear.
I guard every memory of you. And when I find myself frozen in the mud of the real... far from your loving eyes, I will return to this place, close mine, and take solace in the ...
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There has been next to no fanfare for the release of this murder mystery. Which is surprising, considering the talent involved in front of the camera (Jeremy Renner, Elizabeth Olsen) and behind it (writer-director Taylor Sheridan). Fresh from joining the ranks of top-tiered screenwriters after the amazing one-two punch of Sicario and Hell or High Water, Sheridan continues his stellar run with a heart-wrenching study of loss and grief wrapped in a taut crime thriller narrative. Also having a crack at directing, Sheridan allows the snowy Wyoming setting to completely envelope the characters in a world that feels like it has no exits, both physically and emotionally. When this Native American community is hit with a homicide it feels like another tragedy in a long line of tragedies; their shock is replaced with deeper sorrow, their outrage is replaced with solemn defeat. Entering the scene like a fish out of water, Olsen's junior FBI agent Jane Banner must traverse the tricky cultural complexities if she's to understand the clues in front of her. Luckily she has Renner's local hunter Cory Lambert to assist, himself battling with a past family disaster. Renner and Olsen are both in terrific form, the former hiding his grief under a stoic veneer, the latter balancing big-city attitude with a genuine desire to find justice for the victim. Veteran character actor Gil Birmingham is also superb as a father unsure of how to deal with his earth-shattering loss. If this all sounds a bit heavy, well it is, but Sheridan's careful to inject a healthy dose of suspense and mild action to keep the drama gripping rather than overbearing; the finale in particular turns the movie on its head in an unpredictable but extremely effective manner. An intelligent, slow burning and provocative viewing that enthrals from start to finish, Wind River is an understated gem that deserves an audience.
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