Stannis arrives at Winterfell. Tyrion runs Meereen as Daario and Jorah go after Daenerys. Jaime and Myrcella leave Dorne. Jon sends Sam and Gilly to Oldtown. Arya challenges the Many-Faced God. Cersei confesses her sins.
Stannis attacks Winterfell. Sansa and Theon find themselves on a difficult situation. Arya challenges the many face god. Daenerys is surrounded by acquaintances. Jaime and Myrcella leave Dorne. Cersei confesses. Sam goes to oldtown to become the new maester. Jon receives news about his uncle Benjen.
When Daenerys is stranded in the Dothraki Sea with Drogon, it can be seen that she is wearing riding leggings. While some television viewers called into question the probability that Daenerys would have been wearing riding leggings while attending the opening of the fighting pits in the preceding episode, Michele Clapton, the costume designer of the series, explained Daenerys always wears riding leggings under her gowns out of habit, because throughout her life she had to be prepared to escape at any moment from assassins sent to kill her. See more »
The gunk on Cersei's body during the "walk of atonement" visibly changes between shots (from the right clavicle to right deltoid and back again, for example). The changes often occur between faraway and close-up shots, because the faraway shots are actually the body of Rebecca Van Cleave, with Lena Headey's face very obviously CGI'ed over hers, whereas the closeup shots are Headey. See more »
Hello, old friend. I thought we were so happy together until you abandoned me.
I suppose there's no point asking how you found me.
The birds sing in the west, the birds sing in the east, if one knows how to listen. They tell me you've already found favor with the Mother of Dragons.
Well, she didn't execute me, so that's a promising start. Now the heroes are off to find her, and I'm stuck here trying to placate a city on the brink of civil war. Any advice for an old comrade?
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Each episode of GoT is source of emotions. Different, in clashes, ambiguous, powerfull. But in this case , the emotions are , in a form, adaptations of Shakespeare tragedies, from the walk of Cersei to the fall of Jon Snow, to the defeat of Stannis or the justice of Brienne of Tarth or the death of Myrcella or the Dothraki captivity as return in the womb of the past . The way of Samwel to a new beginning is the basic source of hope. Because the film gives more than the shock of the last scene - example of high cinematography- but the pledge for the necessity of revenge as right use of justice. Basis for new serie, it is the key for acceptence and fury.
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