A charismatic New York City jeweler always on the lookout for the next big score makes a series of high-stakes bets that could lead to the windfall of a lifetime. Howard must perform a precarious high-wire act, balancing business, family, and encroaching adversaries on all sides in his relentless pursuit of the ultimate win.
Two young British soldiers during the First World War are given an impossible mission: deliver a message deep in enemy territory that will stop 1,600 men, and one of the soldiers' brothers, from walking straight into a deadly trap.
Greta Gerwig was originally tasked by Sony Pictures to write a new screen adaptation of Louisa May Alcott's novel after the studio had rejected earlier scripts by Olivia Milch and Sarah Polley. However, after the success of Gerwig's Lady Bird (2017), Sony Pictures hastily offered Gerwig the chance to direct this film using her script in the hopes of forcing the delayed project into production after years of development hell. See more »
One of the characters uses the term "marry rich" which did not exist in 1864. The term used would have been "marry well," which appears several times in Alcott's text. See more »
You will get better. Father will get better. And we'll all be together soon.
We can't stop God's will.
God hasn't met my will yet. What Jo wills shall be done.
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The original 1993-2006 version of the current Columbia Pictures logo appears at the beginning, paying homage to the studio's previous 1994 film adaptation of the story, which starred Winona Ryder as Jo March. See more »
The newest adaptation of Louisa May Alcott's classic novel, "Little Women," was the best version I have ever seen. Directed by Greta Gerwig, the film stars Saoirse Ronan as Jo March, Emma Watson as Meg, Florence Pugh as Amy, Eliza Scanlen as Beth, and Laura Dern as Marmee. Timothée Chalamet stars as Laurie, Chris Cooper is Mr. Laurence, and Meryl Streep as Aunt March.
The entire cast is stupendous. Ms. Ronan stands out in her tour de force performance as Jo, the independent writer, who refuses to marry, and is determined to make her own path. She unflinchingly remains true to herself, her family and her work as both a writer and a teacher.
The main difference between this adaptation and its predecessors is the stream of consciousness approach as the story moves between the present day March family, and the stories of growing up together. Parallels between the challenges when they were children and the struggles of adulthood weave together to tell their story both now and then. Gerwig and her team does a masterful job of storytelling to balance it all in a cohesive manner that holds the audience's attention and intrigue, even if most viewers already know the original story.
To enhance the superb storytelling, the film's cinematography and costume design, recreating 19th century New England, was a bright spot in this visually captivating film. I wouldn't be surprised if this film was among the select few chosen for nominations in both categories at this year's Oscars.
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