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Archival footage and personal testimonials present an intimate portrait of the life and career of British singer/songwriter Amy Winehouse.

Director:

Asif Kapadia
Won 1 Oscar. Another 50 wins & 44 nominations. See more awards »

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Cast

Cast overview, first billed only:
Amy Winehouse ... Herself (archive footage)
Lauren Gilbert Lauren Gilbert ... Herself
Juliette Ashby Juliette Ashby ... Herself
Nick Shymansky Nick Shymansky ... Himself
Tyler James ... Himself
Guy Moot Guy Moot ... Himself
Chris Taylor Chris Taylor ... Himself (archive footage)
Nick Gatfield Nick Gatfield ... Himself
Ian Barter Ian Barter ... Himself (archive footage)
Garry Mulholland Garry Mulholland ... Himself (archive footage)
Jonathan Ross ... Himself (archive footage)
Janis Collins Janis Collins ... Herself (as Janis Winehouse)
Mitch Winehouse ... Himself (as Mitchell Winehouse)
Sam Beste Sam Beste ... Himself
Bobby Womack ... Himself (archive footage)
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Storyline

A documentary on the life of Amy Winehouse, the immensely talented yet doomed songstress. We see her from her teen years, where she already showed her singing abilities, to her finding success and then her downward spiral into alcoholism and drugs. Written by grantss

Plot Summary | Add Synopsis

Taglines:

The girl behind the name. See more »


Motion Picture Rating (MPAA)

Rated R for language and drug material | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

3 July 2015 (USA) See more »

Also Known As:

Amy See more »

Filming Locations:

London, England, UK See more »

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Box Office

Opening Weekend USA:

$222,500, 5 July 2015

Gross USA:

$8,413,144

Cumulative Worldwide Gross:

$23,706,049
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

First documentary distributed by A24 to be nominated for an Oscar. See more »

Goofs

Amy performed at the North Sea Jazz Festival in 2004. At the time the festival was still in The Hague. (And not -yet- in Rotterdam, as the movie states.) She performed at one of the stages in the basement. See more »

Quotes

Tony Bennett: If she had lived, I would have said:. slow down; you're too important... Life teaches you, really how to live it... if you could live long enough...
See more »

Connections

References Cool Hand Luke (1967) See more »

Soundtracks

Separação
Written by Antonio Pinto
Performed by Antonio Pinto
O2 Filmes / Pintology Publishing
Licensed courtesy of O2 Filmes
See more »

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User Reviews

 
A very worthy attempt at bringing the Amy Winehouse story to the screen
19 June 2015 | by Red-BarracudaSee all my reviews

I remember when Amy Winehouse died back in 2011 it had a certain inevitability about it yet was still shocking and very sad. The media had made a meal out of her problems documenting them at every given opportunity and her increasingly emancipated appearance was publicised for all to see, courtesy of the lowlifes of the paparazzi. Hers was life in a goldfish bowl by the end and for a person who never wanted fame in the first place; this made her life all the more difficult. What complicated matters so fatally was that in amongst all of this, she had a predisposition for drink and drugs. The combination sent her spiralling on a downward trajectory.

This documentary about her has been made by Asif Kapadia who directed the film Senna (2010) which remains one of the most highly respected documentaries of recent years. When you consider that that film was also about someone at the top of their field who died young in a dramatic and sudden manner, you could say that there are some similarities between both stories. But in reality the Amy Winehouse story is a much darker one, with its central character going on an extended path of self-destruction. And one in which we in the audience know only too well how it ends. The film is made up of home video and TV clips of Winehouse and fills in details with recollections of people who were close to her in the form of voice-overs, as opposed to a more traditional talking heads format. After the release of her definitive album Back to Black in 2006, Winehouse basically retreated and conducted next to no interviews which of course posed the film-makers some problems and the effect is that as the film goes on she becomes increasingly remote and we feel like we know her less.

The contrast between the Amy of the early years to the one latterly seen is pretty pronounced. Her appearance became more intense and she quickly covered herself with an assortment of harsh tattoos. This phase coincided with her downward spiral with drink and drugs. It seems pretty clear that her attachment to her husband Blake Fielder was inextricably linked to this. He came across as a hanger-on who led her onto hard drugs and who then had little self-interest in getting her off them. The problem was that she loved him and it was this that made the situation so destructive. Throughout the film, as her songs play, her lyrics are displayed on screen and it is obvious that much of her music was based on highly personal emotional songs that constantly were sourced from her experiences in relationships. So much of her success was derived from this well of emotion but it was one that could equally destabilise her. This was only exacerbated by her bouts of depression and her problematic relationship with her dad.

There is no getting away with the fact that this is a sad story; one that is all the more shaming when you consider that it played out so visibly in the public eye. But the public eye is very uncaring unfortunately and all too often empathises when it is far too late. But this film also captures the voice and the humour, so integral to Amy Winehouse. And so while it is impossible to ignore the tragedy, the beauty is here too. This was, after all, a very singular artist whose roots were in jazz, which is hardly a music for lightweights. Amy Winehouse was a proper talent who made music entirely on her own terms. If I was to criticise mildly it would be to say that the film itself might be marginally too long and perhaps goes over some ground more than it has to. But mainly this is ultimately a very worthy attempt to tell what is a complex and contrasting story to the screen with all its darkness and light.


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