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The Oscars (2014)

TV-14 | | Comedy, Music | TV Special 2 March 2014
The Academy of Motion Picture Arts and Sciences celebrates the year's achievements in film.

Director:

Hamish Hamilton
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Won 1 Primetime Emmy. Another 1 win & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ellen DeGeneres ... Herself - Hostess
Anne Hathaway ... Herself - Presenter
Barkhad Abdi ... Himself - Nominee
Bradley Cooper ... Himself - Nominee & Presenter
Michael Fassbender ... Himself - Nominee
Jonah Hill ... Himself - Nominee
Jared Leto ... Himself - Winner
Jim Carrey ... Himself - Presenter
Kerry Washington ... Herself - Presenter
Pharrell Williams ... Himself - Nominee & Performer
Samuel L. Jackson ... Himself - Presenter
Naomi Watts ... Herself - Presenter
Michael Wilkinson ... Himself - Nominee
William Chang ... Himself - Nominee (as William Suk Ping Chang)
Catherine Martin ... Herself - Winner
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Storyline

The Academy of Motion Picture Arts and Sciences celebrates the year's achievements in film.

Plot Summary | Plot Synopsis

Genres:

Comedy | Music

Certificate:

TV-14
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Details

Country:

USA

Language:

English

Release Date:

2 March 2014 (USA) See more »

Also Known As:

The 86th Annual Academy Awards See more »

Filming Locations:

Los Angeles, California, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

|

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

Nominee The Wolf of Wall Street (2013) set a new record for the most "fucks" (or some variation of it) used in a feature film, also making it the Oscar-nominated movie with most "fucks" used with 569 uses of the word. See more »

Quotes

Malcolm Clarke - Winner: Best Documentary Short: Thank you. When I met Alice Sommer I was struck by two things: her extraordinary capacity for joy and her amazing capacity for forgiveness. For those of you who don't know it, the amazing Alice Sommer died one week ago today. She was 110. She died quietly. And so this
[holding up his Oscar]
Malcolm Clarke - Winner: Best Documentary Short: really is, and that,
[referring to the other Oscar]
Malcolm Clarke - Winner: Best Documentary Short: they're both for Alice. She was a woman who taught everyone on my crew to be a little bit more optimistic and a little bit more happy about all the things ...
[...]
See more »

Connections

Features The Voorman Problem (2011) See more »

Soundtracks

Wind Beneath My Wings
Music & Lyrics by Larry Henley & Jeff Silbar
Performed by Bette Midler
See more »

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User Reviews

THE Oscars 2014 {TV} (N/A, 2014) **1/2
3 March 2014 | by Bunuel1976See all my reviews

This year I managed to watch the live telecast on the Cable TV channel Dubai One as opposed to intermittently streaming over the 'Net or even simply waiting for the results to show up on IMDb! As a show, it left a lot to be desired – with host Ellen De Generes (returning after her 2007 engagement where Martin Scorsese was also a contender) disappearing for moments on end and only lazily putting in the occasional – and hardly side-splitting – quip (at her best, perhaps, when mentioning Jonah Hill's anatomy as seen in THE WOLF OF WALL STREET). Her antics included taking orders for pizza to be delivered and distributed around among the nominees…which really showed up, and later taking up a collection to pay for it!; she also took a large selfie of herself, Meryl Streep and everyone nearby! Still, her constantly being in the aisle or indeed sitting next to the nominees themselves was an act that quickly grew stale and displayed a lack of ideas more than anything else.

As usual, the list of presenters was a sorry sight: these included a few youthful non-entities (Zac Efron, Channing Tatum), some uneasy-looking stars unwilling to lay down their boots (Harrison Ford, John Travolta) and a couple of old-timers who rather than adding to the lustre made a spectacle of themselves by exposing just how far gone they were to millions of spectators (Kim Novak, Sidney Poitier)! The latter two were especially embarrassing to watch: what was husky-voiced and Botox-riddled Novak doing presenting the Animation categories, and what was the point of having Poitier (who was leaning on Angelina Jolie all the time) present the Best Direction Oscar when it was obviously not going to Steve McQueen (if anything, they should have had them replace Will Smith in the Best Picture category thus allowing Jolie to give the Oscar to partner Brad Pitt)?! Another irritating presence was that of a seemingly tipsy Liza Minnelli, who was there (with two of her siblings) to watch pop-star Pink cover her mum Judy Garland's signature tune "Over The Rainbow" on the occasion of the 75th anniversary of the release of THE WIZARD OF OZ – I would think they are the only surviving relatives of actors who were alive in 1939, known as Hollywood's greatest year ever! With respect to the "In Memoriam" section, I was disappointed to see Philip Seymour Hoffman take the spot that ought to have been reserved for Peter O'Toole – and, how come some "inventor" no one has ever heard of rates a mention but not comic Jonathan Winters, master Hungarian film-maker Miklos Jancso, prolific writer/director/actor Bryan Forbes or film noir stalwart Audrey Totter (on the other hand, Harold Ramis got remembered twice, firstly by way of presenter and former colleague Bill Murray)?! Having a theme for the whole show is silly in the first place but to choose "Heroes" and include clips from recent superhero movies (as if we needed to be reminded that they were still being made!) - but none from the earlier SUPERMAN franchise with the late Christopher Reeve?! To add insult to injury, they included clips from classic movies like CASABLANCA (1942), IT'S A WONDERFUL LIFE (1946), BEN-HUR (1959), LAWRENCE OF ARABIA and TO KILL A MOCKINGBIRD (1962)...seriously?!

With respect to how the awards went, I was obviously let down since my top three films of the year – in order of merit, American HUSTLE, THE WOLF OF WALL STREET and NEBRASKA – all went home empty-handed! Conversely, 12 YEARS A SLAVE and GRAVITY were the most awarded (3 and 7 Oscars respectively) but my least favourites! GRAVITY's technical categories sweep killed the suspense, naturally, but there were a few surprising upsets regardless: I cannot fathom why the Best Supporting Actress Oscar went to Lupita Nyong'o, who had only one good scene in the entire film; the Best Adapted Screenplay also went to 12 YEARS A SLAVE over the no-less-reprehensible but far more inventive THE WOLF OF WALL STREET; ditto for the Original Screenplay category – the loss of American HUSTLE (which can only be explained by the plot's derivative nature) proved Spike Jonze's gain with the futuristic and bittersweet HER; another unexpected win was FROZEN's for Best Song over U2's "Ordinary Love" for that Mandela movie (I am sure Bono was itching to deliver a heartfelt speech about the recently-deceased South African leader!); as I said, Alfonso Cuaron was so sure of his eventual directorial win that, when he was named earlier for Best Editing, he did not even deliver a speech (I was actually praying he would subsequently lose and see him left with egg on his face for failing to put in his two words when he had the chance)! As ever, a number of speeches were well-prepared and hit the audience in the right spots – notably all the acting categories and Matthew McConaughey's in particular…but Steve McQueen (what gall to keep such a name, I must say!)'s tongue-tied roll-call of gratitude (sounding like Leonardo Di Caprio's drug-fuelled phone conversation from THE WOLF OF WALL STREET!) was not a high spot, yet the heavy-set guy made up for it by leaping with joy at the conclusion of his triumph for co-producing the year's Best Picture!


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