As Cool as I Am (2013)
You'll also be able to stream the critically acclaimed film "White Dog," Best Picture Oscar winner "The Hurt Locker," the Kristin Wiig dramedy "Welcome to Me," and Simon Pegg as an assassin in "Kill Me Three Times."
There are also new episodes of "Doctor Who," "Revenge," "Once Upon a Time," "Transporter: The Series," and "GIrl Meets World." Happy binging!
Here's a full rundown of what's new on Netflix in August 2015, provided by Netflix. As always, all titles and dates are subject to change. We've also go you covered in terms of what's leaving Netflix in August 2015, in case you were wondering.
Available August 1
"Alvin and the Chipmunks Meet Frankenstein" (1999)
In real life, Sisto is a 39-year-old father of two: daughter Charlie and baby son Bastian. He got married to wife Addie a few months after his daughter was born, but Sisto has no regrets about taking the plunge.
"I love my family," he tells Zap2it. "I have a great wife. It took me a while to figure that out and commit, but now I'm really happy I did. She's a human being, and we're committed to each other. It's a nice thing. The kids are just amazing. It's a different level."
As to whether
These activities, as well as a panel at the Festival and the Alfred P. Sloan Commissioning Grant, are part of the Sundance Institute Science-in-Film Initiative, which is made possible by a grant from the Alfred P. Sloan Foundation. The initiative supports the development and exhibition of new independent film projects that explore science and technology themes or that depict scientists, engineers and mathematicians in engaging and innovative ways.
“We are delighted to collaborate with Sundance Institute for the 11th year in a row and to recognize Mike Cahill’s original and compelling I Origins as the winner of this year’s Alfred P. Sloan Feature Film Prize,” said Doron Weber, Vice President, Programs at the Alfred P. Sloan Foundation. “With Academy Award-nominated films like this year’s Gravity and Her, I Origins—as well as new scripts we are developing with Sundance Institute Labs such as The Buried Life and Prodigal Summer—demonstrates that not only are science and technology central to understanding, engaging with and dramatizing modern life, but they also make for cracking good films that draw large audiences.”
Keri Putnam, Executive Director of Sundance Institute, said, “Independent filmmakers offer unique perspectives on the role math, science and technology play in our world and culture. The Sundance Institute Science-in-Film Initiative, with critical support from the Alfred P. Sloan Foundation, recognizes and encourages these projects as they make their way to audiences.”
Alfred P. Sloan Feature Film Prize
I Origins, directed and written by Mike Cahill, has been awarded the 2014 Alfred P. Sloan Feature Film Prize and will receive a $20,000 cash award by the Alfred P. Sloan Foundation at this year’s Sundance Film Festival. The Prize is selected by a jury of film and science professionals and presented to outstanding feature films focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character.
In I Origins, a molecular biologist and his lab partner uncover startling evidence that could fundamentally change society as we know it and cause them to question their once-certain beliefs in science and spirituality. The cast includes Michael Pitt, Brit Marling, Astrid Bergès-Frisbey, Steven Yeun, Archie Panjabi. The jury presented the award to the film for its “intelligent and nuanced portrayal of molecular biologists as central characters, and for dramatizing the power of the scientific process to explore fundamental questions about the human condition.”
Previous Alfred P. Sloan Prize Winners include: Andrew Bujalski, Computer Chess (2013); Jake Schreier, Christopher Ford, Robot & Frank (2012); Musa Syeed, Valley of Saints (2012); Mike Cahill and Brit Marling, Another Earth (2011); Diane Bell, Obselidia (2010); Max Mayer, Adam (2009); Alex Rivera, Sleep Dealer (2008); Shi-Zheng Chen, Dark Matter (2007); Andrucha Waddington, The House of Sand (2006); Werner Herzog, Grizzly Man (2005), Shane Carruth, Primer (2004) and Marc Decena, Dopamine (2003). Several past winners have also been awarded Jury Awards at the Festival, including the Grand Jury Prize for Primer, the Waldo Salt Screenwriting Award for Sleep Dealer and the Excellence in Cinematography Award for Obselidia.
This year’s Alfred P. Sloan jury members are:
Dr. Kevin Hand Dr. Kevin Hand is deputy chief scientist for Solar System Exploration at Nasa’s Jet Propulsion Laboratory. His research focuses on the origin, evolution, and distribution of life in the solar system. His fieldwork involves exploring some of Earth’s most extreme environments from the McMurdo Dry Valleys of Antarctica, to the depths of the Earth’s oceans, to the glaciers of Kilimanjaro.
Flora Lichtman Flora Lichtman is a science journalist living in New York. She has worked as a video journalist for the New York Times and National Public Radio’s Science Friday and writes regularly for Popular Science magazine. She is the coauthor of Annoying: The Science of What Bugs Us.
Max Mayer Max Mayer is a founder and producing director of New York Stage and Film and has directed over 50 new plays by writers such as John Patrick Shanley, Lee Blessing, and Eric Overmyer. In addition to writing and directing Better Living and Adam, which premiered at the 2009 Sundance Film Festival and won the Sloan Prize, Mayer has directed As Cool as I Am and episodes of The West Wing, Alias, and Family Law and written three produced plays.
Jon Spaihts Jon Spaihts is the screenwriter of The Darkest Hour, Ridley Scott’s Prometheus, and the upcoming Passengers and The Mummy. The one-time physics student and science writer continues to specialize in science fiction.
Jill Tarter Astronomer Jill Tarter, the Bernard M. Oliver Chair for the Seti Institute, has devoted her career to hunting for signs of sentient beings elsewhere. The lead for Project Phoenix, a decade-long Seti scrutiny of about 750 nearby star systems, she now leads Seti’s efforts to build and operate the Allen Telescope Array. A 2009 Ted prize recipient, she is also the real-life researcher upon whom the Jodie Foster character in Contact is largely based.
Sundance Institute / Alfred P. Sloan Lab Fellowship
The Buried Life (U.S.A.) Joan Stein Schimke and Averie Storck (co-writers/co-directors) An archaeologist risks her reputation for the dig of her career, but when her rock 'n' roll sister and overbearing father follow her to the excavation, she discovers her biggest challenge is facing what's above ground.
Joan Stein Schimke and Averie Storck have just attended the Institute’s January Screenwriters Lab with The Buried Life.
Joan Stein Schimke was nominated for an Academy Award® for her short film One Day Crossing, which won several other awards including the Directors Guild of America (DGA) Best Woman Student Filmmaker, Best Director, National Board of Review and the Student Academy Award® Gold Medal. Other directing credits include Law and Order and the short film Solidarity, which screened at over a dozen festivals including the New York Film Festival. Stein Schimke is an Mfa graduate of Columbia University’s Film Program and is currently an Associate Professor at Adelphi University in New York.
Averie Storck is an Mfa graduate of Columbia University’s Film Program. Her award-winning short films include Live at Five , which won the New Line Cinema Development Award and screened at more than 30 international film festivals. Prior to filmmaking, Storck worked for People and Vogue magazines, was a writer for Who Wants to Be a Millionaire, and studied improv at the Upright Citizens Brigade Theatre in NYC. She currently teaches and directs at the Savannah College of Art and Design.
Alfred P. Sloan Foundation Founded in 1934, the Alfred P. Sloan Foundation is a non-profit philanthropy that makes grants in science, technology and economic performance. This Sloan-Sundance partnership forms part of a broader national program by the Alfred P. Sloan Foundation to stimulate leading artists in film, television, and theater; to create more realistic and compelling stories about science and technology; and to challenge existing stereotypes about scientists, engineers, and mathematicians in the popular imagination. Over the past decade, the Foundation has partnered with some of the top film schools in the country – including AFI, Carnegie Mellon, Columbia, Nyu, UCLA, and USC – and established annual awards in screenwriting and film production and an annual first-feature award for alumni. The Foundation has also started an annual Sloan Feature Film Prize at the Hamptons International Film Festival and initiated new screenwriting and film production workshops at the Hamptons and Tribeca Film Festival and with Film Independent. As more finished films emerge from this developmental pipeline—four features were completed in 2013, with half a dozen more on deck—the foundation has also partnered with the Coolidge Corner Theater and the Arthouse Convergence to screen science films in up to 40 theaters nationwide. The Foundation also has an active theater program and commissions over a dozen science plays each year from the Ensemble Studio Theater, Manhattan Theatre Club and Playwright Horizons.
Back in 2006 Nigerian author Chimamanda Ngozi Adichie published a story about the privilege lives of twin sisters being torn apart by the Biafran War which occurred in her homeland from 1967 to 1970; seven years later fellow countryman and playwright Biyi Bandele adapted Half of a Yellow Sun (2013) for the big screen with a cast that features Thandie Newton (The Truth About Charlie), Anika Noni Rose (As Cool as I Am), Chiwetel Ejiofor (12 Years a Slave), Joseph Mawle (Abraham Lincoln: Vampire Hunter), Hakeem Kae-Kazim (Hotel Rwanda), and John Boyega (Attack the Block). Assisting the production was LipSynch Post Head of 3D / VFX Supervisor Ben Shepherd (Hangar 10) who oversaw the green screen requirements for the various interior sets at Shepperton Studios. “LipSync Post is a company that covers all aspects of post,” explains Shepherd. “We were
As Cool as I Am (2013) is the story of a young girl coming through her mid-teens the way most of us felt at the time. Lucy Diamond (Sarah Bolger) is the young child of young parents, Chuck (James Marsden) and Lainee (Claire Danes). Born when they were in high school, Chuck is now a lumberjack who spends very little time at home while Lainee finds her way in the world. That leaves Lucy virtually alone to navigate her first boyfriend (Thomas Mann), school, dangerous parties, and her own dreams of being a successful chef. It’s a rough old world out there, but luckily Lucy’s got enough sarcasm and personal strength to get through it. Spoiler alert.
What's It About? James Wan's "The Conjuring" follows the paranormal hauntings of a Rhode Island farmhouse, based on the real life events documented by investigators of Ed and Lorraine Warren (Patrick Wilson, Vera Farmiga). When the Perron family moves into a new home they begin experiencing loud pounding noises and eerie occurrences that force them to contact the Warren's to help rid them of their home's evil essence.
Why We're In: "The Conjuring" wasn't just one of the best scary movies in years for its hefty amount of solid jumps and scares, but it also took full advantage of the horror genre. Wan's film paid homage to old-school scary movies by implementing the horror tactics we love, bringing a refreshing creativity to exhausted cliches.
Watch: Go behind-the-scenes on "The Conjuring" (Video)
Moviefone's Top Blu-ray of the Week:
Also new this week is Vince Vaughn and Owen Wilson in the buddy comedy "The Internship," Ryan Gosling reuniting with his "Drive" director Nicolas Winding Refn for "Only God Forgives" and Ethan Hawke and Julie Delpy at it again as Jesse and Celine in the romantic sequel "Before Midnight."
Box Office: $137 million
Rotten Tomatoes: 87% Fresh
Storyline: Based on the adventures of real-life paranormal investigators and married couple Lorraine and Ed Warren (Vera Farmiga and Patrick Wilson), "The Conjuring" focuses on one of the Warrens' most extreme cases in the '70s in which Carolyn Perron (Lili Taylor), a worried mother of five girls, begs the couple to help rid her family's Rhode Island farmhouse of a demonic presence.
Check out the new featurette where Claire Danes and James Marsden discusses their roles in the film.
Director: Max Mayer
Starring: Claire Danes, James Marsden, Sarah Bolger As Cool As I Am is now available to watch in select theaters, Cable VOD, SundanceNOW and other digital outlets (iTunes, Amazon Streaming, PS3 Playstation Unlimited, Xbox Zune, Google Play and YouTube)
Fellow junkies of the "My So-Called Life" series — which, seriously, how in the world was that show just one season? — will remember a younger Danes as the sullen Angela Chase, dying her hair (much to her mother's chagrin) and desperately trying to find herself a comfy corner in the universe while hoping above all hope that the hot guitar guy at school might one day pay her just an ounce of attention. Ah, hormones.
Cut back to the present, and Danes is on the receiving end of all that angst ... and deservedly so.
"Cool" features Claire Danes and James Marsden as a former pair who got preggers while still just teenagers. Under the pressure of a shotgun-wielding elder of some sort, no doubt,
Sarah Bolger stars as the daughter in question alongside Thomas Mann as her potential love interest. As Cool As I Am, from IFC Films, has June 21st release date lined up in the States, with no UK release date announced as yet.
Bolger, best known for TV roles in Once Upon A Time and The Tudors, looks a good fit as spirited protagonist Lucy who must deal with her own growing up as her parents do the same. Based on the novel by Pete Fromm As Cool As I Am is a coming of age story with a gritty teen
The film is being produced by Keith Kjarval through his Unified Pictures production/finance banner. Brad Greiner, through his Amberdale production banner, is also producing alongside Kjarval and Unified.
Mimi Steinbauer’s Radiant Films International is handling foreign sales on the project and will introduce the feature film to buyers at the upcoming Cannes Film Market in May.
“Rudderless” is a musical drama about the power of a parent’s love. When a grieving father in a downward spiral stumbles across a box of his deceased son’s original music, he forms a band,
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