EMILY puts two English characters within the framework of a stereotypically French film, deconstructing a common sexual fantasy to explore the moment two strangers meet and attempt to fill their loneliness with each others' need.
In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
In the 1850s, Nelly Ternan (Felicity Jones) is a minimally talented actress who catches the eye of the hailed British author, Charles Dickens (Ralph Fiennes). Bored with his intellectually unstimulating wife, Catherine (Joanna Scanlan), Charles takes the educated Nelly as his mistress with the cooperation of her mother, Mrs. Frances Ternan (Dame Kristin Scott Thomas). What follows is a stormy relationship with this literary giant who provides her with a life few women of her time can enjoy. Yet, Nelly is equally revolted by Charles' emotional cruelty and determination to keep her secret. In that conflict, Nelly must judge her own role in her life and decide if the price she pays is bearable.Written by
Kenneth Chisholm (firstname.lastname@example.org)
This movie was based on the book "The Invisible Woman" by Claire Tomalin. See more »
Very early in the film, Dickens introduces a member of his acting troupe as "Mr. Berger" with a 'soft' g, like a j; moments later, he refers to him as "Mr. Berger" with the g pronounced as 'hard'. There's no explanation for this discrepancy. See more »
Mr. George Wharton Robinson:
Our boys' curriculum is very wide. They perform a short play at the end of every term. Theater's an abiding interest of my wife... Ah, Mary, tea if you please.
Mr. George Wharton Robinson:
Through the open door... Nelly, where were you? Mr. Benham has been here since 3:00.
I'm so sorry. Mr. Lambourne has been organizing the boys best he can.
I lost all sense of time...
See more »
The full cast list (in order of appearance) is presented in the style of a Dickens era theatre programme, with contemporary font and the performers' names preceded by "Mr." or "Ms." See more »
Performed by JC Carroll
[end credits] See more »
Ralph Fiennes brings the literary legend to life
With The Invisible Woman being the second feature in which Ralph Fiennes tackles Charles Dickens, you may say that the thespian, already known for his love of Shakespeare, has developed a new romance with English literature.
With Fiennes at the helm, this biographical drama, based on the book by Claire Tomalin, takes a stroll into the private life of the public figure, Charles Dickens. Although The Invisible Woman positions itself at the heart of the Victorian literate, this is in fact the story of Nelly Ternan (Felicity Jones); hence the title.
The bulk of this character-piece plays out as a flashback, as the narrative oscillates between the world of Dickens and the world post-Dickens. The mysterious title refers to the young Nelly, an avid-admirer of the literary colossus, as she enters into a secret affair with her idol. She spends the best part of her youth amorously involved with the writer, but given that Dickens was a lot older, it was inevitable that she would outlive her lover.
Alone with her thoughts, Nelly, dressed in mournful black, marches along the beaches of Margate like a sleepwalker in the night, tormented by the loss of her companion; she must find a way to bring that chapter of her life to a close so that she may now move on.
The picture paints Dickens as the talented and charitable man that he was, however we are also privy to a more sinister side of the wordsmith, as we learn of his malicious actions towards his wife (played by Joanna Scanlon).
The camera takes its time, as it soaks up the brilliant performances of the cast and Abi Morgan's (Shame, The Iron Lady) masterful script provides a titillating narrative, as it transports us to the Dickensian period. Ultimately, The Invisible Woman stands as a beautifully crafted piece of filmmaking, however, it somewhat pales in comparison to Fiennes' earlier, more vigorous work. Anthony Lowery
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