After a prison riot, former-Captain Nascimento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves government officials and paramilitary groups.
Brazilian MD Drauzio Varella starts AIDS prevention in Brazil's largest prison, Carandiru, in São Paulo, where the population is nearly double its 4,000 maximum. Doc learns from experience ... See full summary »
The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small Northeast Brazil town. But when they die, they have to be judged by ... See full summary »
Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers... See full summary »
The life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.
Daniel de Oliveira,
On June 12, 2000, a young man with a gun took the passengers aboard Bus 174 in Rio de Janeiro, Brazil hostage. This documentary examines the event itself, the resulting media frenzy, the police response, and the perpetrator's background.
Sandro do Nascimento,
Luiz Eduardo Soares
The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. ... See full summary »
After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor. However, due to the increasing popularity of Nascimento, the Governor invites him to team-up with the intelligence area of the Secretary of Security. Along the years, Fraga, who is married with Nascimento's former wife, is elected State Representative and Nascimento's son Rafael has issues with his biological father. Meanwhile Nascimento and the BOPE expel the drug dealers from several slums but another enemy arises: the militia led by Major Rocha and supported by the Governor, the Secretary of Security and politicians interested in votes. Nascimento is manipulated to help ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Director José Padilha claimed that this movie ends his trilogy about urban violence in major Brazilian cities. The first one, Bus 174 (2002), was a documentary meant to explain how the state's indifference towards poor people can lead to the formation of violent criminals. The second, Elite Squad (2007), meant to explain how the state's indifference towards law enforcement agencies will often result in police brutality and corrupt officers. And finally, the last movie deals with the reasons behind the state's choice to ignore the poor and the police. See more »
What's happening to our city Rio de Janeiro? What's happening to our wonderful city? Thugs come into a police station and steal weapons. Weapons from inside a police station! This isn't crime, no sir. This is terrorism! Don't talk to me about human rights, because terrorists, to me, aren't people. It's because of "blah, blah, blah, human rights". Can't touch the thugs Don't touch the thugs. Don't touch the thugs. Give candy to the thugs. Send roses to the thugs. This is a circus, man. Here, ...
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The beginning credits feature scenes from the first film. See more »
The best Brazilian film of the year! The best movie of the year!
A Brazilian film like never before. This is just a definition of Elite Squad 2, which could also be synonymous with: shocking, visceral, truculent, spectacular, amazing and realistic.
To make a film with such honesty and courage, as a member of B.O.P.E. say, must be "Skull"! And this is thanks to director Jose Padilha, who had the guts (and a lot of talent) to throw open the problem of violence in Rio de Janeiro, and the system created by subversive criminal organizations of low and high rank. Thus building a film extremely realistic and relevant, neither the American cinema got to do, because when it comes to "put the dust under the carpet, Hollywood and Brazil are very similar.
With a top cast in superb performances and a plot full of twists and clever, the viewer will not soon forget the great action, violence, misery and personal drama played by the great Brazilian anti-hero of the decade: Colonel/Captain Nascimento.
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