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The Man Who Killed Don Quixote (2018)

Not Rated | | Adventure, Comedy, Drama | 19 May 2018 (France)
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1:55 | Trailer
Toby, a disillusioned film director, is pulled into a world of time-jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.

Director:

Terry Gilliam
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Popularity
1,777 ( 474)
4 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
José Luis Ferrer José Luis Ferrer ... Don Quixote (commercial)
Ismael Fritschi Ismael Fritschi ... Sancho Panza (commercial) (as Ismael Fritzi)
Juan López-Tagle ... Spanish Propman (as Juan López Tagle)
Adam Driver ... Toby
William Miller ... 1st AD - Bill
Will Keen ... Producer
Jason Watkins ... Rupert
Paloma Bloyd ... Melissa
Óscar Jaenada ... Gypsy
Sonia Franco Sonia Franco ... Flamenco Dancer
José Aser Giménez José Aser Giménez ... Flamenco Guitarist
José Antonio Fernández José Antonio Fernández ... Flamenco Percussionist
Viveka Rytzner ... Junior Creative
Alberto Jo Lee ... Chinese Translator / Creative Creep
Bruno Sevilla ... Client Rep
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Storyline

Toby, a cynical but supposedly genius film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth - a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?

Plot Summary | Add Synopsis

Taglines:

Today's a marvelous day for adventures!


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Spain | Belgium | France | UK | Portugal

Language:

English | Spanish

Release Date:

19 May 2018 (France) See more »

Also Known As:

The Man Who Killed Don Quixote See more »

Filming Locations:

Canary Islands, Spain See more »

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Box Office

Budget:

EUR17,000,000 (estimated)

Gross USA:

$391,963

Cumulative Worldwide Gross:

$2,390,383
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

After production was cancelled in 2000, an insurance claim was filed on behalf of the investors. The insurance companies reportedly paid out US$15 million, and got the rights to the screenplay. See more »

Quotes

Rupert: We become what we hold on to.
See more »

Crazy Credits

Terry Gilliam's "a Terry Gilliam film" credit is preceded by "and now... after more than 25 years in the making... and unmaking..." at the start of the film. See more »

Connections

Referenced in Na plovárne: Na plovárne s Terry Gilliamem (2006) See more »

Soundtracks

Celebration Camp
Written by Dave Howman & André Jacquemin (as Andre Jacquemin)
Published by Long Lunch Music
See more »

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User Reviews

 
An autobiographical tale about films, stories and dreams
24 May 2018 | by jay-rosSee all my reviews

Not a masterpiece, not a disaster, The man who killed Don Quixote has the qualities and faults of what it is, that is to say, basically, a film for one spectator only : Terry Gilliam himself. Announcing its legend in the opening credits, the film takes pleasure in referring quite openly to the misadventures of Lost in La Mancha, most often through lines put in the mouth of the producer played by Stellan Skarsgard. These winks would be at best anecdotic, at worst narcissistic, if we didn't realize little by little that, we are in the presence of a true cinematic exorcism. Exorcism of this damned project, certainly. Exorcism also, through the character of Toby, of what Gilliam could have become if he had listened to the sirens of advertising and had become a soulless hack. Exorcism finally, and this is the most touching, of what Gilliam is afraid of becoming (and that he may have already become for some), that is to say an old fool who no longer interests anyone, an old dreamer in a materialistic world, a relic from another time, mocked and ridiculed. Thus, despite all its failures (problems of rhythm, lack of breath due to lack of money, episodic structure that works randomly and unfortunately makes Quixote disappear many times), we can only admire this film which bears on its face its testamentary dimension. Transmission, summary of a life, return on his youth, everything is there. Gilliam is Quixote, Gilliam is Toby, Gilliam will die but Gilliam is immortal since his dreams are forever with us on film. This is the bittersweet and somewhat crazy statement of The Man Who Killed Don Quixote, a film about films, a story about stories, an endless dream.


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