This mini-series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison ...
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Merdle's suicide note reveals that he was a swindler, robbing his investors and leaving thousands ruined. Mrs. Merdle agrees to Fanny's suggestion they do a 'moonlight flit' to escape creditors but ...
John Chivery is heart-broken when Amy rejects his marriage proposal, telling him she will never marry, though Arthur is clearly in her thoughts. News gets back to her father, who becomes self-pitying...
In the 1840s, Cranford is ruled by the ladies. They adore good gossip, and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
Emma Woodhouse (Romola Garai) seems to be perfectly content, to have a loving father for whom she cares, friends, and a home. But Emma has a terrible habit, matchmaking. She cannot resist ... See full summary »
Jonny Lee Miller
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
An adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19 century Oxfordshire, in which a young girl moves to the local market town to begin an apprenticeship as a postmistress.
At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
This mini-series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in London. Amy and her family's world is transformed when her boss' son, Arthur Clennam, returns from overseas to solve his family's mysterious legacy and discovers that their lives are interlinked.
The tan striped gown with teal scallop trim at the hem Emma Pierson (Fanny Dorrit/Fanny Sparkler) wears to visit Mrs. Merdle (Amanda Redman) is the same costume Greta Scacchi (Mrs. Weston) wore in the final scene of Emma (1996). The same costume was also worn by a guest at the Easter Ball in Wives and Daughters (1999). See more »
From the first moments of this wonderful production we (mum, dad and two girls 10 and 12) were entranced. Unlike those in the UK who would see this a slice a week, we saw the whole lot over a single long weekend. As I write - we've just two episodes to go...
We have all the BBC Dickens productions for comparison - including the recent Bleak House and our favourites Great Expectations and (my personal top) Our Mutual Friend. LD comes v.close to the top of this pile - The last two episodes may tip the balance....
From the first, this production grabs with its beautiful and (perhaps unusually) 'sunny' scenery. None of the austerity of the recent Great Expectations production, nor the gloominess of Bleak House. Actually this made for a nice change.... The acting is perfect - with key emotional scenes being utterly believable. The actor playing Young Chivery (heading for great things I suspect) induced a flood burst of tears from my 10 year old in the marriage proposal scene. As others have mentioned, even the smaller parts are excellently cast and played. But there's something else at play here to make this possible.
In many Dickens productions Directors seem loath to leave peripheral characters out. Bleak House in particular suffered for this I think. In LD everyone seems to have space and time in which to be presented and to evolve. It never feels chaotic or suffocating - time is taken, and this makes the whole that more soluble.
The leads are all superb - Little Dorit is perfectly perfect without being goody goody....(another issue with Bleak House), and Andrew McFad is particularly good, managing to look younger than he did in the wonderful Pride and Prejudice... And did he chub up for the role? Things have been left out - and perhaps the damning indictment of society and government are not so forcibly presented as they might have been. But what remains is a delightful mystery, beautifully told and acted and which we will want to watch all over again as soon as we've come to the end.
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