6.0/10
18,785
118 user 184 critic

Margot at the Wedding (2007)

Trailer
2:33 | Trailer
Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a mess of thrashed relationships and exposed family secrets.

Director:

Noah Baumbach

Writer:

Noah Baumbach
3 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Zane Pais ... Claude
Susan Blackwell ... Woman on Train
Nicole Kidman ... Margot
Jack Black ... Malcolm
Flora Cross ... Ingrid
Jennifer Jason Leigh ... Pauline
Seth Barrish ... Toby
Matthew Arkin ... Alan
Brian Kelley Brian Kelley ... Bruce
Christian Hansen Christian Hansen ... Fireman
Michael Cullen ... Mr. Vogler
Enid Graham ... Mrs. Vogler
Sophie Nyweide ... Vogler Daughter
Justin Roth Justin Roth ... Vogler Son
Ciarán Hinds ... Dick Koosman
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Storyline

A slice of family life: sisters, husbands, children, history, secrets, jealousies. Margot and her teen son, Claude, travel from Manhattan to her family's Long Island home, occupied by sister Pauline, Pauline's daughter, and Malcolm, the slacker Pauline will marry outdoors that week under a tree neighbors want removed. Backbiting marks family discussion, particularly between the sisters and in Margot's cutting remarks to Claude. Pauline tells Margot a secret that Margot promptly tells Claude. Margot dislikes Malcolm and undermines him. She also has marital problems and a lover nearby. People are cruel, inside and outside their families. Is there a refuge for Margot or for Pauline? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

One family. Infinite degrees of separation.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for sexual content and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

14 December 2007 (USA) See more »

Also Known As:

Untitled Noah Baumbach Project See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$81,035, 18 November 2007

Gross USA:

$1,959,420

Cumulative Worldwide Gross:

$2,897,757
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Jack Black was always director Noah Baumbach's first choice for the part of Malcolm. See more »

Goofs

When Margot secretly talks to Dick on her cell phone, at times, you can hear Nicole Kidman's Australian accent, especially when she says "Saturday." See more »

Quotes

Pauline: I think Becky got it the worst.
Margot: Did she ever. Raped by the horse trainer.
[they burst out laughing]
See more »


Soundtracks

Clair
Written & Performed by Gilbert O'Sullivan
Courtesy of Grand Upright Music Ltd.
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User Reviews

 
Watching the neighbors through the fence...
1 March 2008 | by moonspinner55See all my reviews

Writer-director Noah Baumbach's style is almost unlike anyone else's in the movies right now; and, as both a writer and a director, he's amazingly compatible working both sides of his talent (his dialogue is the music while his direction--and the nimble editing--provides the rhythm). A small group of erratic, confounding and humorously twisted family members are reunited at a prospective wedding in Long Island, with the estranged Margot (Nicole Kidman) behaving as sort of a ringleader to the inner-chaos (she's not necessarily a reminder of old hurts, but she brings them up anyway, as if it's her duty). Baumbach allows his characters to tease and torment each other with quiet, yet unsubtle prodding, and the free-flowing scenes play out beautifully, just like music. If there is a downside to this style, it's that Baumbach can often be too knowing, and when a line or a performance is too clever it can appear forced. Jack Black was a wonderful choice for Malcolm, the unemployed, slacker-bridegroom who finds swimming pools disgusting and the thought of being famous too threatening because of the rejection involved; however, Black is allowed too much time to find the humor in his slovenly character. He is perfect when he's made out to be the dupe or the target of girlfriend Jennifer Jason Leigh's frustrations, but when he tries to conform to Baumbach's image of Malcolm as an enraged clown, the affectation shows and we lose both the substance and the irony of this man (we get more than we need--and more than we already perceive to be there). Baumbach is also perhaps too brazen staging talks of a sexual nature between adults and children; this works extremely well when the subject matter is touched on by just the younger people, but Margot's relationship with her pubescent son (which Margot already accepts is too entwined) skirts uncomfortable parameters which may be more amusing if the characters on-screen laughed a little too (it's left too blasé). The movie is brittle but never coarse and seldom vulgar; it has a great, wounded heart and very perceptive ears and eyes for passive-aggressive arguments and multi-layered misunderstandings. This family can't get over their neuroses because they don't see themselves as neurotic--only each other, and the world. It's summed up nicely in a scene with Margot and her gift-bearing husband when she tells him, "I hate getting a present that I already have...It makes me feel like you don't really know me." *** from ****


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