Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
During Stalin's reign of terror, Evgenia Ginzburg, a literature professor, was sent to 10 years hard labor in a gulag in Siberia. Having lost everything, and no longer wishing to live, she meets the camp doctor and begins to come back to life.
In the mid 19th Century, an enigmatic young woman moves to Yorkshire with a young son. Distancing herself from everyone in the village and their prying questions, she remains totally aloof ... See full summary »
Will Bryant and Mary are among the petty common criminals who are condemned by British justice to deportation to the new Botany Bay penal colony in Australia. The long sailing voyage is eventful, with them falling in love but her also seducing the noble, naive lieutenant Ralph Clarke. In the colony, life is terribly harsh. Ultimately, the pair and some other convicts organize a successful escape by boat. Barely alive, they reach Dutch Timor, and hope to be in the clear.Written by
Had a budget in excess of $15 million, making this the largest television mini-series ever made in Australia. See more »
Governor Arthur Phillip:
Nearest civilization, Timor - three or four thousand miles away. They'd have to negotiate reefs, plus twelve-hundred miles of open sea. And with the burden of carrying a woman, and children, no - even if they survive the sea, they'll never survive each other.
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The reaction to the British miniseries 'The incredible journey of Mary Bryant' seems to be a sign of the times: Whereas the accolades poured in for the portrayals of Mary and her husband, the masterfully portrayed character of Officer Clarke was misunderstood / brushed over and his complex relationship with Mary largely ignored. In my book Mary was a selfish b..., solely driven by the will to survive, with little regard for the feelings of others except those of her immediate family. Officer Clarke, on the other hand, is a much more complex character: The product of a morally strict and repressive upbringing, he is basically a decent, kind man who ends up acting mercilessly (within the framework of the cruelty sanctioned or even demanded by his job) when his pride is wounded. That is his Achilles' heel. He suffers intense humiliation when Mary, in pursuit of her own selfish agenda, at first liberates him from his inhibitions and then betrays his trust and makes a fool of him in front of his peers. The realization of her callous exploitation of his kindness and his feelings seriously wounds his whole identity. Nevertheless, he can't get himself to kill her when he has her at his mercy (in his musket's visor): Twice he lets her escape; it's only the third time that he finally 'delivers her to justice' - and had Mary not once again revealed her falseness to him by sidling up to him again, he probably would have let her escape once more. All the time he finds himself in the struggle to keep his dignity. Jack Davenport's superb portrayal of this emotionally rich and complex character deserves the highest praise. To me it was the actual focus of the film. Barbara N.
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