6.7/10
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93 user 112 critic

Renaissance (2006)

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1:18 | Trailer
In 2054, Paris is a labyrinth where all movement is monitored and recorded. Casting a shadow over everything is the city's largest company, Avalon, which insinuates itself into every aspect of contemporary life to sell its primary export, youth and beauty. In this world of stark contrasts and rigid laws, the populace is kept in line and accounted for.

Director:

Christian Volckman

Writers:

Alexandre de La Patellière (original story), Matthieu Delaporte (original story) | 5 more credits »
2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Daniel Craig ... Barthélémy Karas (voice)
Romola Garai ... Ilona Tasuiev (voice)
Ian Holm ... Jonas Muller (voice)
Kevork Malikyan ... Nusrat Farfella (voice)
Catherine McCormack ... Bislane Tasuiev (voice)
Jonathan Pryce ... Paul Dellenbach (voice)
Robert Dauney Robert Dauney ... Karas (voice)
Crystal Shepherd-Cross ... Bislane (voice)
Isabelle Van Waes Isabelle Van Waes ... Ilona (voice) (as Isabelle Van Waess)
Max Hayter ... Dellenbach (voice)
Marco Lorenzini Marco Lorenzini ... Muller (voice)
Jerome Causse Jerome Causse ... Amiel (voice)
Clémentine Baert ... Nurses (voice)
Chris Bearne ... Parisian (voice)
David Benito David Benito ... Nayhib (voice)
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Storyline

Paris, 2054: a dark motion-captured world of shadows and right angles. Ilona Tasuiev, a brilliant young scientist, is kidnapped, and her employer, Avalon, a major health and beauty corporation, wants her found. Karas, a jaded police captain, is assigned to find her, fast. He seeks help from her sister, Bislane, and they are soon uncovering identify theft, missing files, and hints that something back in 2006 may explain what's going on. Ilona's mentor, Avalon's vice president, a Japanese researcher, an underworld boss, and Bislane's drug connection all figure in the mix. So does an attraction between Karas and Bislane. What's behind the kidnapping? Who's the victim? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Paris 2054. Live forever or die trying.


Motion Picture Rating (MPAA)

Rated R for some violent images, sexuality, nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Luxembourg | UK

Language:

English | French

Release Date:

15 March 2006 (France) See more »

Also Known As:

Renacimiento See more »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$10,800, 24 September 2006

Gross USA:

$70,644

Cumulative Worldwide Gross:

$1,831,348
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This movie takes place in October 2054. See more »

Goofs

The movie is set in 2054, this is shown at the beginning, where the date "Oct 12 2054" is given in the Avalon advertisement. Throughout the movie, Ilona is said to be 22 years old, so she should be born around 2034. However, when she is abducted in the beginning, her passport is falling to the ground and her date of birth is visible as "24/06/2020". So either the movie plays in 2042 or the d.o.b. in her passport is wrong. See more »

Quotes

Bislane Tasuiev: [to Karas] Come back or I'll kill you.
See more »

Connections

Referenced in Dans la tête de Christian Volckman (2006) See more »

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User Reviews

 
Cartoon? We need a new word here...
13 December 2006 | by MrVibratingSee all my reviews

Animation always seems to be fringe. In Japan, this might not be the case, but in Europe and much more so in the USA animation has a big fat "KIDS" tag on it. France is probably one of the more comic-liberal countries, home of classics as Tin-Tin, Asterix, Lucky Luke, Valereon and so on(if you've never read these, it's not too late. There's no upper-age limit on them and they don't carry the nerd-stigma of DC or Marvel) It seems natural a movie like this one pops up in France. It suits my prejudiced image of the French as art-loving, anti-USA-oriented and talented movie-makers. Luckily there's also "A scanner darkly" out there to suppress that view - seems art is pretty much international.

Anyway, as you might have gathered Renaissance is artsy and French. If you're a normal person you will get scared by this. There's no need for that however! Beneath it's cool, sleek cel-shaded appearance there's a good thriller and a good movie overall.

That was one of my fears for this movie. It's so easy turning the spectacular animation to a gimmick, much like Sony & C:o are doing with their Pixar rip-offs. I was expecting a confusing, sometimes boring and not very engaging movie, but luckily I was wrong.

I would have enjoyed it anyway for the neo-noir stuff, but it was good that it was worthwhile on that level as well. NOTE: I've seen the French dub which was OK as far as I could see. English might be more interesting what with Craig and everything.

A final word of praise to the animation. It was awesome. Futuristic, well-crafted, nice camera-work, smart solutions(Eyes for example looked very good, which is hard to do) and so visually stunning I felt like bursting out "This is so damn impressive!". Then again, I really like animation and I appreciate the effort the studio put down, so my verdict is a bit biased.

Good movie anyway, definitely lives beyond it's "gimmick".


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