Jump to: Spoilers (10)
Matt Damon accidentally knocked out Tim Griffin who played the CIA interrogator John Nevins during the scene in the consulate when Bourne takes him and a security guard down after being captured.
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Unlike the James Bond franchise, all the devices that Bourne uses are real and can be purchased by the average citizen.
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To give this movie its gritty, documentary-style appearance, director Paul Greengrass used mostly handheld cameras, and a muted color palette. Greengrass also made sure to avoid computer graphics at all costs, and all of the stunts shown in the movie were achieved practically.
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In the house in Munich, when Jason Bourne uses the rolled newspaper as a weapon, the martial art he performs is derived from Escrima, an old Philippine martial art, also called Arnis or Kali. This fighting style mainly uses sticks to fight, and in modern times the use of everyday objects is taught, including ball pens (as seen in The Bourne Identity (2002)) and rolled up newspapers. In the film it is combined with Bruce Lee's Jeet Kune Do.
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Jason Bourne never smiles in the movie, except in a picture.
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Virtually all of the events in the movie were shot in the reverse order of location. This means scenes in Moscow were shot first and those in Goa were shot last.
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Regarding the famous use of a rolled-up magazine as a weapon, fight coordinator Jeff Imada explained, "I would go around the set after it had been dressed and get an idea of what would be lying around and how it could be used as a weapon. I came up with the idea of using a rolled up magazine and had to convince a few people that would actually be a functional weapon. I had to demonstrate it by rolling it up and hitting it on the table to show how hard the impact would be. And also Matt [Damon] and Marton [Csokas] verified that the magazine would actually hurt because they'd be hitting each other in the arm before takes and would actually get bruises from it."
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Unlike The Bourne Identity (2002), screenwriter Tony Gilroy read the book this time and claimed that he did a re-imagination, not an adaptation, of the novel. Gilroy wrote an original screenplay using key events and characters from the novel as a framework, though he replaced the traditional Carlos The Jackal-type villain with Kirill.
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The average length of a shot is 1.9 seconds.
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The first scene shot was the scene in Moscow where Bourne speaks to a taxi driver and arranges to pay in Dollars.
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When Bourne visits the assassin Jarda in Germany, it is never made clear how Jason knew where he was or even who he was. There is one section of dialogue exchanged as - Jarda: "Word in the ether was you'd lost your memory." Jason Bourne: "You still should have moved." - giving the only indication of remembrance. According to the script Jarda is actually the Driver in the Berlin Flashbacks Jason is having. Also, deleted dialogue between Jason and Jarda further explain that Jarda had found Bourne and Maria somewhere in Greece, but Bourne got a leg up on Jarda and could have killed him. In the script Jarda asks Bourne "Why didn't you kill me then?" in which Bourne replies "Because she didn't want me to.".
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The address of the Hotel Becker, where Neski was killed, is shown to be Kurfürstendamm 288. This address no longer exists but was the historical location of the Romanisches Café, a meeting place for intellectuals in pre-war Berlin.
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Producer Frank Marshall selected Paul Greengrass as director after he'd seen Greengrass's Bloody Sunday (2002). Marshall was after a director who wasn't intrinsically associated with the action genre, feeling that Greengrass would impart an original spin of his own to the script.
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The taxi that Bourne drives during the car chase is a Russian-made Volga 3110.
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In Berlin, after researching Pam Landy's hotel, Bourne drives past a demonstration against globalization by activist organization ATTAC. The posters on the wall behind the man with the flag on the sidewalk read "Die Welt ist keine Ware", which means "The world is not for sale".
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In a 2012 BAFTA Screenwriters' Lecture, uncredited screenwriter Brian Helgeland explained that part of Tony Gilroy's initial script was set in the USSR, even though that government had fallen over 10 years earlier. Helgeland was brought on five days before production began and completely rewrote Gilroy's script. Although the studio rejected the new script, they did change the USSR setting. Throughout production, Paul Greengrass would change Gilroy's script with Helgeland's, resulting in the final film.
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In early drafts of the script, Kirill was known only as "Mock-Bourne".
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Bourne carries a SIG-Sauer P225 (the same model gun he takes from cops in The Bourne Identity (2002)). There is some confusion over the model of the gun because Bourne shoots 12 rounds through it without reloading and a real P225 only holds 8 rounds in the magazine plus one in the chamber. Kirill uses a P99 and Jarda a Beretta 92FS.
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The rifle Bourne is holding on the DVD cover is a Blaser R93 Sniper Rifle.
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The 14 November 2003 draft of the screenplay credits Brian Helgeland for a rewrite. He is not credited in the final film.
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In the last street scene just before the end of the movie, the famous Raidoman appears pushing his bike, carrying his radio around his neck.
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The phone that Jason Bourne uses is a Siemens ME45.
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Karl Urban (Kirill) and Marton Csokas (Jarda) are both alumnus of Shortland Street (1992-), New Zealands longest running soap opera. Were both part of the cast 1993-1994.
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When Bourne calls Pamela Landy from the rooftop, a voice is heard in her office saying that they "need 90 seconds to triangulate his position". Bourne disconnects the call exactly 88 seconds later.
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The film was made with no intention of making a third movie after this one; the final scene was also meant to give the Bourne character some closure and properly end the series. When The Bourne Ultimatum (2007) was green-lit, the writers had to write the story around this epilogue.
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The film originally ended with the confession to Neski's daughter. Following previews, which found the ending too bleak, the New York postscript scene with Bourne and Landy was shot, just weeks before the film's release in the summer of 2004.
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It took 4 days to shoot the sequence where three assassins close in on a house they suspect harbors Bourne, but he has already left and rigged the house to explode. When it does, three stuntmen wearing cabled harnesses are violently yanked up and away from the explosion, landing on off-camera airbags. Six cameras simultaneously covered the brief sequence.
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Before Brian Helgeland did his rewrite, Tony Gilroy's initial draft of the screenplay was vastly different. Instead of Kirill shooting her, Marie dies by accident when a bus veers off the road and slams into her. Bourne is outraged and goes berserk on the driver, almost killing him until the police arrest him. A large section of the film is then spent in an Indian prison, where Bourne makes numerous allies and enemies before planning his escape. From then on in, both scripts follow a similar track.
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After the Berlin part Bourne leaves for Moscow. Several scenes taking places in the Russian Capitol were still shot in Berlin, which you can see on certain buildings and some traffic signs. Two of those supposedly Russian locations are Berlin Frankfurter Allee and Alexanderplatz.
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The room where Ward Abbott stays in The Westin Grand hotel in Berlin is the Goethe Suite, one of several historical-themed and decorated suites in this hotel. Johann Wolfgang von Goethe was the playwright of the two-act tragedy 'Faust', about a deal with the devil. Abbott's stay in this suite is suitable, since in a way, he himself "made a deal with the devil."
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In the final scene, Jason's is told his real name is David Webb, and that he was born on 4-15-71 (April 15, 1971). However, as revealed in The Bourne Ultimatum, this was a code to give Jason an important address in New York (415 East 71st Street). His real birthday is September 9, 1970.
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Visible body count: 9.
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When Kirill is staging the explosives on the circuit breakers to frame Bourne, he is wearing these cool, black "Foot Joy" golf gloves, one for a right-handed golfer, the other for a left-handed golfer. The famous "FJ" label is on top of both gloves.
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