5.5/10
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65 user 44 critic

November (2004)

Trailer
1:59 | Trailer
Sophie Jacobs is going through the most difficult time of her life. Now, she just has to find out if it's real.

Director:

Greg Harrison

Writer:

Benjamin Brand
1 win & 2 nominations. See more awards »

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Cast

Complete credited cast:
Courteney Cox ... Sophie Jacobs
James Le Gros ... Hugh
Dori Mizrahi Dori Mizrahi ... Adnan
Amir Talai ... George
Matthew Carey ... Shooter
Nora Dunn ... Dr. Fayn
Brittany Ishibashi ... Lim
Constance Hsu Constance Hsu ... Wei
Anne Archer ... Carol Jacobs
Nick Offerman ... Officer Roberts
Michael Ealy ... Jesse
Robert Wu ... Juhn
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Storyline

When her boyfriend is shot to death in a robbery, LA photographer Sopie Jacobs tries her hardest to put the event behind her. But as she struggles to get over the murder, Sophie's life begins to change, leaving her clueless as to what's coming. But worst of all, the line between reality and fantasy is beginning to shatter. Written by Michelle Piekarus

Plot Summary | Plot Synopsis

Taglines:

The truth lies outside the frame.


Motion Picture Rating (MPAA)

Rated R for violence and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

18 January 2004 (USA) See more »

Also Known As:

Novembro See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend USA:

$21,813, 24 July 2005

Gross USA:

$192,186

Cumulative Worldwide Gross:

$192,186
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (TV) | (Ontario)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The closing credits run for 10 minutes, representing almost 13% of the film's running time. See more »

Crazy Credits

Special thanks to ... The Brand Family ... See more »

Soundtracks

Make It Good to Me
Written by Bosco Mann
Performed by Sharon Jones & The Dap-Kings (as The Dap-Kings)
Courtesy of Daptone Records
See more »

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User Reviews

Don't expect clear cut answers
29 December 2017 | by NateWatchesCoolMoviesSee all my reviews

Greg Harrison's November is one of those frustratingly opaque, reality bending sketchy thrillers where a metaphysical shudder is sent through someone's fabric of existence, in this case that of photography professor Courtney Cox. Driving home late one night, her husband (James LeGros) runs in to a Kwik-E-Mart to grab her a snack right at the same moment a burglar (Matthew Carey) brandishes a gun, and then open fires. After he's killed, you feel like the film is in for a run of the mill grieving process as she visits a therapist (Nora Dunn). Events take a detour down Twilight Zone alley though when a spooky photograph shows up amongst one of her student's portfolios, a snapshot of that very night at the store, apparently zoomed in on her husband. Who took it? Is the man actually dead? Will the film provide the concrete answers that some viewers so fervently salivate for in these types of films? Not really, as a heads up. As soon as things begin to get weird, they pretty much stay that way for the duration of the exceedingly short runtime (it clocks in under eighty minutes!). Cox's character revisits that fateful night from many different angles and impressions, either reliving it, recreating it or simply stuck in some sort of alternate time loop chain. There's a policeman played by Nick Offerman who offers little in the way of help, and she's left more or less on her own through this fractured looking glass of garbled mystic confusion. The tone and aesthetic of it are quite something though, a jerky, stark Polaroid style mood-board that evokes ones like The Jacket and Memento, with an art house industrial touch to the deliberately closeup, disoriented visuals. It's a bit maddening from the perspective of someone only looking for answers, and if that's why you came, you'll be left wringing your hands and losing sleep. If you enjoy the secrets left unravelled, and are a viewer who revels in unlocked mysteries left that way, recognizing the potent energies distilled from unexplained ambiguity, give it a go.


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