Number one NASCAR driver Ricky Bobby stays atop the heap thanks to a pact with his best friend and teammate, Cal Naughton, Jr. But when a French Formula One driver, makes his way up the ladder, Ricky Bobby's talent and devotion are put to the test.
John C. Reilly,
Sacha Baron Cohen
In 2002, two rival Olympic ice skaters were stripped of their gold medals and permanently banned from men's single competition. Presently, however, they've found a loophole that will allow them to qualify as a pairs team.
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
In 1970s San Diego, journalism was a well respected profession and people actually cared about what they saw on TV. And the top rated anchor man in the city is Ron Burgundy. He enjoys his run at the top, and has for the last five years. And his news team is equally as good as he is. Professional jock and former professional baseball player Champ Kind handles the sports, the curiously dim witted Brick Tamland - who's a few channels short of a cable subscription - handles the weather, and ladies' man Brian Fantana - whose collection of fine scents would be in the Guinness Book Of Records - handles the on-field reporting. But now all that is about to change forever. The TV station Burgundy works for, Channel 4, has embraced diversity and has hired a beautiful new female anchor named Veronica Corningstone. While Ron Burgundy and the rest of the Channel 4 news team enjoys fighting with competitors, drinking, and flirting with the ladies, Veronica quietly climbs her way to the top. And ...Written by
There are twenty-four people in the street fight. See more »
Though set in the 1970s, during Ron Burgundy's encounter with the motorcyclist, a 1997-2002 Ford Econoline cutaway van passes by in the background. See more »
There was a time, a time before cable. When the local anchorman reigned supreme. When people believed everything they heard on TV. This was an age when only men were allowed to read the news. And in San Diego, one anchorman was more man than the rest. His name was Ron Burgundy. He was like a god walking amongst mere mortals. He had a voice that could make a wolverine purr and suits so fine they made Sinatra look like a hobo. In other words, Ron Burgundy was the balls.
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There is one more scene after the end credits roll with the Anchor Team walking as Ron talk about where they will be years from now. See more »
Differences between the theatrical release and the director's cut:
After Brian Fantana comments on being hung over from the previous night's party, Champ states "I woke up on the floor of some Japanesse family's living room, and they would NOT stop screaming!", to which Brick replies, "I ate a big red candle". In the director's cut, Champ says "I woke up this morning and I shit a squirrel. The hell of it is, the damn thing's still alive. So I've got this shit covered squirrel down there in the office, and I don't know what to name it." Brick replies, "I'm sorry, I think I ate your chocolate squirrel".
The scene of Ron Burgundy walking around the office with an erection is extended by about fifteen seconds.
Ron daydreams of being married to Veronica, and has two children. After coming home from work, she appears from the kitchen in negligee, tells him that she's just prepared dinner in the nude, and they somewhat violently make out in the hallway.
The scene of Ron being carried away by the crowd after reading the phrase "Go fuck yourself, San Diego" on the air is extended, with Ron screaming, "I would never say fuck! I would never fucking ever fucking say that!"
After the above, Ron goes to Tino's where he is forced to eat cat poop in regard to the above incident.
Ride Captain Ride
Written by Frank Konte & Mike Pinera (as Carlos Michael Pinera)
Performed by Blues Image
Courtesy of Atco Records / Elektra Entertainment Group
By Arrangement with Warner Strategic Marketing See more »
Will Ferrell and company seem to be 2 decades late in satirizing the leisure-suit era of over-blown TV personalities. Then again, the biggest change from that time to this is that now the ego-twit types in the news game are not just local, they're national. So either 'Anchorman' is way late for the party or it's very timely. Look, I don't really care which. Is it funny? Will it show you a silly, good time? Sure, and I think silliness is the best you can expect from such a soft-boiled egg. This parody is not trying to hurt anybody for real, just poke them gently in the rib cage. But even though this one drives in the slow lane when it should be speeding down the humour highway, the movie made me laugh...sometimes in spite of myself.
What surprised me was that it gets funnier as it goes along, especially when the cartoon violence escalates. It's hard to take anything seriously, but an old-fashioned rumble is so stupidly violent that it's just too funny for words. The movie sports plenty of cameos, most of them unveiled in this one scene. In fact, everybody Ferrell ever met seems to be in this flick. His rumble opponents are rival anchors from 3 different stations and they happen to be recognizable movie stars too. I enjoyed this one idiotic scene so much, that it made every limp moment that came before seem funnier.
So what's the story then? Ferrell plays Ron Burgundy, a sensationally arrogant and dumb San Diego news anchor. His goofy co-stars (including Paul Rudd & the scarily dim Steve Carrell) are also his only friends until Veronica Corningstone (Christina Applegate) arrives to spike their testosterone punch. Soon she's sharing Burgundy's desk and his bed. But the men resent this woman (the first female anchor ever, apparently) and humorous trouble brews. Fred Willard plays the boss and straight man, which is a bit of a disappointment. He's too hilarious to be so serious.
Will Ferrell is so popular right now, his script could have been a fiery turd and the flick would STILL make a huge profit. He & rookie director Adam McKay (a colleague from Ferrell's SNL days) co-authored the screenplay, which was probably left wide open for hours worth of improvs. A stronger director might have held out for even better jokes. An experienced director might have tightened things up and paced the movie better. The abundant flaws don't do serious damage. I may not remember much about 'Anchorman' in 3 months, but lots of chuckles were yanked outta me this afternoon. If you want to laugh at foolishness by the Will Ferrell troupe, this fake news story might be the ticket. Or it might not...
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