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8 Mile (2002)

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0:32 | Trailer
A young rapper, struggling with every aspect of his life, wants to make it big but his friends and foes make this odyssey of rap harder than it may seem.

Director:

Curtis Hanson

Writer:

Scott Silver
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Popularity
492 ( 391)
Won 1 Oscar. Another 14 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
Eminem ... Jimmy 'B-Rabbit' Smith
Kim Basinger ... Stephanie Smith
Mekhi Phifer ... David 'Future' Porter
Brittany Murphy ... Alex
Evan Jones ... Cheddar Bob
Omar Benson Miller ... Sol George
De'Angelo Wilson ... DJ Iz
Eugene Byrd ... Wink
Taryn Manning ... Janeane
Larry Hudson Larry Hudson ... Bouncer
Proof ... Lil' Tic
Mike Bell Mike Bell ... Shorty Mike
DJ Head DJ Head ... Battle DJ
Michael Shannon ... Greg Buehl
Chloe Greenfield ... Lily Smith
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Storyline

A young rapper, struggling with every aspect of his life, wants to make it big but his friends and foes make this odyssey of rap harder than it may seem.

Plot Summary | Plot Synopsis

Taglines:

Lose Yourself In the Music See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong language, sexuality, some violence and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Germany

Language:

English

Release Date:

8 November 2002 (USA) See more »

Also Known As:

Fight Song See more »

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Box Office

Budget:

$41,000,000 (estimated)

Opening Weekend USA:

$51,240,555, 10 November 2002

Gross USA:

$116,750,901

Cumulative Worldwide Gross:

$242,875,078
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Brittany Murphy admitted in an interview on Late Show with David Letterman (1993) that she and Eminem became romantically involved during production. See more »

Goofs

During the fight in the trailer, a rail on the kitchen counter gets broken. It is fixed a few minutes later. See more »

Quotes

DJ Iz: Man, do you know how many abandoned buildings we have in Detroit? I mean, how are you supposed to take pride in your neighborhood with shit like that next door? And does the city tear them down? No, they too busy building casinos and taking money from the people.
Future: [Talking to Iz while rolling another joint] Shut yo preaching ass up! Don't nobody care about that shit.
DJ Iz: Did you care when that crackhead raped that little girl? You think that woulda' happened if he didn't have an abandoned house to ...
[...]
See more »

Crazy Credits

The final credit reads, "Filmed on location in the 313" See more »

Alternate Versions

The film, played on Australian television on 7mate, a HD channel, was classified MA15+ and said it contained "Frequent very coarse language, A sex scene and adult themes" according to the 7mate network. See more »

Connections

Referenced in Samba in Mettmann (2004) See more »

Soundtracks

Last Dayz
Written by Sticky Fingaz (as Kirk Jones), Earl Klugh, Sonny Seeza (as Tyrone Taylor), Fredro Starr (as Fred Scruggs)
Performed by Onyx
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
Contains samples from "Love Lips"
Performed by Earl Klugh and Bob James
Courtesy of Tappan Zee Records
See more »

Frequently Asked Questions

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User Reviews

 
A Quality Piece of Hard-Hitting Naturalism
9 November 2002 | by PeteBDawgSee all my reviews

8 Mile probably isn't what you expect. Given the cast and premise, you probably expect one of two things, either a silly excuse for self-aggrandizement or an overblown caricature of hip-hop culture. You don't get either. What you get is a brave film that is surprisingly culturally and intellectually rigorous and an aggressive film that is so emotionally intense that it seems to sometimes tear itself apart.

The plot is not a biography of Martial Mathers, a.k.a. Eminem, but it is very much informed and guided by the experiences of his early career as a rapper in blue-collar and no-collar Detroit. Eminem gives a compelled, powerful performance that diverges just enough from his public self to inject the story with a strong sense of realism without sacrificing anything artistically. The supporting cast also makes fine use of their considerable talents, carving the Detroit of this film out of the world itself, not out of fiction. Even as they help communicate a hard, unforgiving time and place, they also give rise to deep and profound sympathies that don't come around in every film.

The naturalistic presentation doesn't stop there; most of the film is shot on location in Detroit, and the gritty, sometimes almost frenzied design and cinematography firmly establish that this is not just another Hollywood movie. This is a movie that goes places movies don't generally go where, for good or for ill, many people do live every day. For one, 8 Mile might have the most believable, most powerful representation of an automobile factory of any film in the last twenty years, and it still manages to use the location for sophisticated, plot driving drama. Good stuff.

Of course, the film has its flaws. It's very heavy and bleak, at times it skirts the boundary of cliche a little bit, and the villains, a rival rap group known as the "Free World," are a little over the top, but, time and again, the solid acting and daunting camerawork keep coming back to seize the eye and command attention.

Oh, and, in case you were wondering, there is rapping, and plenty of it. The rapping is really top-quality, cutting edge stuff, for the most part, and it is integrated into the script so well that it is always clear that the characters choose to rap, not that the script forces them to do so. The rapping happens because it must happen to these characters at this time, not because Eminem is a rapper. In an industry where pop music movies are a dime a dozen, this is particularly impressive. This film says something about rap and the human experience that hasn't been articulated this well many times before; it bridges the gap between rap and poetry in a big way, and makes that gap look a lot smaller.

All in all, the thing that really defines 8 Mile is how committed to this idea the cast and crew must have been in order to make this film. Every minute and every second, the cast's intensity never gives up, and the camera never sleeps. The film is detailed, finely crafted, and has a pounding heart the size of a boxcar. If you don't mind the obscenity and violence (and there is a bunch), I'd definitely say this is a movie worth seeing.


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