Inspired by the John Ford film The Searchers, an Inuit woman and her daughter are kidnapped by three Inuit men, while her husband and son are away. The Inuit husband sets out on a journey to find his family and punish the perpetrators.
Noah Piugattuk's nomadic Inuit band live and hunt by dog team, just as his ancestors did. When the white man known as Boss arrives in camp, what appears as a chance meeting soon opens up the prospect of momentous change.
Red Crow Mi'kmaq reservation, 1976: By government decree, every Indian child under the age of 16 must attend residential school. In the kingdom of the Crow, that means imprisonment at St. Dymphna's. That means being at the mercy of "Popper", the sadistic Indian agent who runs the school.
An Inuk filmmaker takes a close look at the central role of seal hunting in the lives of the Inuit, the importance of the revenue they earn from sales of seal skins, and the negative impact... See full summary »
Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by... See full summary »
In 1952, an Inuit hunter named Tivii with tuberculosis leaves his northern home and family to go recuperate at a sanatorium in Quebec City. Uprooted, far from his loved ones, unable to ... See full summary »
Centuries ago, in what would become the Canadian Arctic, Atuat is promised to the malevolent Oki, son of the leader of their tribe. But Atuat loves the good-natured Atanarjuat, who ultimately finds a way to marry her. Oki's sister, Puja also fancies Atanarjuat, and when she causes strife between him and his brother Amaqjuaq, Oki seizes the opportunity to wreak a terrible revenge on Atanarjuat.Written by
Shannon Patrick Sullivan <firstname.lastname@example.org>
The atmosphere, the culture, the legend brought to life, the score, the people, it was magical realism done right. I read a lot of insulting reader comments on this film, and I am so glad I went to see it anyway. It was long, but it was in no way slow. I was riveted.
True, it did have a documentary feel... but I like documentaries... you could think of it as a documentary on Inuit legends and story telling as seen by the story tellers and their listeners. The effect was to allow the audience to share the feelings of persons in an alien culture.
The score was eclectic, effectively changing from Inuit chants to Gyuto Monk chants, and then to eerie Bulgarian choral music, and back to Inuit. Again, the effect was to blur cultural boundaries and move the viewer away from the familiar and into the Inuit.
If there was one small fault, the subtitles were done in white, which did not always show up against the landscape. Yellow might have been a better choice.
I suspect that if you are a fan of Jim Jarmusch's "Dead Man" (as I am) then you will be one of this film as well.
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