This movie follows the story of three friends in Korea, all three of whom drop out of school. The main character is Min, a tough guy whose widowed mother is a drunk. The story traces his ... See full summary »
Kil is a professional hitman, who leads a very lonely life composed of a pack of Marlboro, instant noodle, cash in the freezer, a knife, a motorcycle and Chichi, a pet monkey. But when he ... See full summary »
An old man suffering from depression is found dead and his housekeeper, Mi Ran, is charged with the murder. Mi Ran's defense attorney, Soon Ho, is surprised to learn the only witness to the... See full summary »
A man calling himself Jin-young walks into a police station to report a missing person: himself. Starting at the end of the story, Jin-young is revealed to be be Suk-won, a lawyer suffering... See full summary »
This is about two young men who want to find the meaning of their lives. Do Chul is a boxer who never wins a game. While trying to make some money, he gets involved with Hong-Gi, a ... See full summary »
For his directorial debut, scriptwriter Hun-Su Park modernized a popular folklore tale about a fox woman who desperately wishes to become fully human. The result, GUMIHO (literally, fox girl), is an intriguing blend of romance, eroticism and fantasy, exquisitely photographed.
The tortured love of the beautiful Harah for handsome Hyuk is portrayed with unusual sensitivity for a fantasy film. Ironically, to become human, Harah must drain Hyuk of his life force. The conflict between this necessity and Harah's feelings for Hyuk create a strained relationship, except when they're making love. Western viewers are likely to recognize elements of Jacques Tourneur's CAT PEOPLE. Complicating things are the efforts of 69, a prisoner from hell who's been assigned to enslave Harah. The machinations of 69 and his human disciple to destroy the relationship provide enough comic relief to prevent the film becoming too somber.
Both young leads, in their first feature film starring roles, are attractive and have a subtle chemistry. Their scenes together are generally excellent.
Fantasy elements are quite accomplished. They include a depiction of hell as resembling a subway station with both humorous and horrific features, including buck-passing guards and an ornate tongue guillotine. Harah's transformations and fox-woman make-up are not specially remarkable, but her flying scenes are impressive. Her attacks on humans are restrained, but still gory.
The film's main fault is its length. The middle section, which contains several pointless scenes, would have benefited from more disciplined editing. Still, GUMIHO is a very promising debut for its director and stars.
7 of 8 people found this review helpful.
Was this review helpful to you?
| Report this