To bring an end the enmity which has existed between King René, who ruled in Provence in the fifteenth century, and Count Vaudemont, the later gentlemen agreed with the former through their... See full summary »
A Los Angeles socialite kills a man while home alone one night and claims he was an intruder she did not know. It seems like a clear case of self defense until the story hits the papers and people connected to the dead man come forward.
(Reel One) The film starts with the time Aunt Betsy, an eccentric spinster, flattens her nose against the windowpane before she enters the Copperfield home, over which the stork is hovering. Aunt Betsy, in anticipation of a birth, had set her mind on a girl, because she abhors boys. When it is therefore announced that the stork has brought a boy, she vanishes from the house "like a discontented fairy." David's mother is a helpless young woman, impractical and unassertive. She married an elderly gentleman, who dies before David is born. Eight years after David's birth, she is flattered by the attentions of Edward Murdstone, who is ardent in his courtship because the widow's money is such a tantalizing incentive. David shows his dislike for Mr. Murdstone. His mother marries, however, while he is absent on a trip with Peggotty to her brother's house at Yarmouth. Here he meets hearty fish folk, among whom he finds little Emily. With the marriage of his mother to Murdstone begins a series ...Written by
Moving Picture World synopsis
Taken as a whole, the three reels are very much worthwhile
Such a picture as this depends largely on characterization, and also on the atmosphere that is given by costumes and settings. In both, the Thanhouser Company has been very successful and is worthy of high praise. The story is well acted and made clear; how could it help being interesting? It is a masterpiece. Perhaps Aunt Betsy is most praiseworthily pictured, but all of the parts are well done. (Second part) This, of course, is a seaside picture. It has the good qualities of the first film. It is a sadder story and was harder to act convincingly. It is, however, very successful and effective. Some of its scenes are very highly commendable. Little Em'ly is charming, and the other characters are very well portrayed. (Third part) A very great deal of matter is crowded into this part. It doesn't grip quite so powerfully as the first two parts, but that isn't saying that it is weak. It is very interesting and good. Taken as a whole, the three reels are very much worthwhile. The novel has been done before. No comparison is needed. Spectators may prefer this character as portrayed in one and that character as portrayed in the other. But most will be very much pleased and delighted with these other motion pictures of our best novel. - The Moving Picture World, November 4, 1911
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