The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.
A wild stallion is captured by humans and slowly loses the will to resist training, yet, throughout his struggles for freedom, the stallion refuses to let go of the hope of one day returning home to his herd.
The story is about two swindlers who get their hands on a map to the fabled city of gold, El Dorado, while pulling off some sort of scam. Their plan goes bad and the rogues end up lost at sea after several misfortunes. Oddly enough, they end up on the shores of El Dorado, and are worshipped by the natives for their foreign appearances.Written by
Paolo Costabel <email@example.com>
Compared to everyone else in this animated film, Tzekel-Kan has his teeth individually carved out instead of a white line. This was intended to make him appear more life like, thus more intimidating. See more »
After Tulio and Miguel arrive in El Dorado Miguel's earrings disappear and reappear between shots. See more »
[trying to make up an excuse why the ship needs to be redone]
I have BEEN around boats, believe me! And that, uhm, the... pointy, tall... uhm... the long up and down thingy...
See more »
Bibo the armadillo appears under the Directed By credit chasing two butterflies, catching one, and then eating it. See more »
The version shown on ABC television has two brief shots of Miguel and Tulio's bare backsides altered by digitally adding white underpants. See more »
As a new non-Disney animated film debuts I always find myself asking will we ever have one that can match Disney's musical timing and humorous tone. "The Road to El Dorado" is one of those that comes really close to being as brilliant as Disney. The films title talks about a path that leads to the mysterious Mayan "City of Gold". This myth has been passed down for hundreds of years. In the 1500's a lot of Spanish conquistadors went to the New World in search of this city after it seemed to be impossible to find the "Fountain of Youth", the other mythical discovery. This legend was screaming to be a fantasy film. In the Dreamworks interpretation of this legend, we follow the misadventures of two con-artists (voiced by Kenneth Branagh and Kevin Kline) who accidentally win a treasure map in a craps game. When the game goes sour, the cons hide out in some barrels and end up on a boat bound for the New World. To their bad luck the boat happens to be captained by the most famous of the Spanish conquistadors, Cortez. Thrown in the depths of the ship by Cortez, our two heroes plan their escape. Without spoiling anymore of the film, the two end up in the New World to follow their map. The Dreamworks animators deliver lush rich scenery and delightful characters. These characters and scenery were a lot like the brilliance found in Disney's "Jungle Book" and last year's amazing "Tarzan". If you remember back to "Prince of Egypt" we had that magnificent look and the celebrity voices but no real memorable relationships. The intricate relationships between the characters in this film is one more step ahead forward Dreamworks. But what the film lacked was a real memorable song. The team of Elton John and Tim Rice, who dreamed up the brilliant soundtrack of the "Lion King", really never deliver a solid song that your kids will be singing weeks after the film. The songs here really have no heart but instead just play during some of the weaker scenes of the film. Now all they have to do is deliver musical songs and a musical score we will want to listen to after the film closes. Disney still reins supreme as head animation studio. But watch out Mickey, Dreamworks is one step behind. (4 of 5) So Says the Soothsayer.
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