Jean-Gaspard Deburau is a very successful mime, the most famous in his category. One day, he falls head over heels in love with Marie Duplessis, a courtesan better known as "La Dame aux ...
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Jacques Cournot, a freelance skipper, is hired by Mr Hendrix in Santo Domingo, first of all to advise him regarding the acquisition of a sailing boat. After a thorough inspection of a ... See full summary »
Bénédicte Meursault, a female firefighter, has just been transferred to a small fire brigade in the South of France. She is welcomed by Philippe, 45, the wise captain of the brigade. Soon ... See full summary »
The battle of the sexes as drawing room social satire. Philippe, a middle-aged newspaper editor, has lived for six years with Paulette, a successful stage actress. He tells her friend ... See full summary »
From 1769 to 1821, Napoléon Bonaparte's life, loves and exceptional destiny but as seen through the eyes of Talleyrand, the cynic and ironic politician, who once was the Emperor of France's Minister of Foreign Affairs.
Jean-Gaspard Deburau is a very successful mime, the most famous in his category. One day, he falls head over heels in love with Marie Duplessis, a courtesan better known as "La Dame aux Camélias". But he soon realizes that he is but a number in her long list of lovers. He will find comfort in devoting his time teaching his art to his son Charles.Written by
Guitry's fascination for getting old was glaring in the last part of his career.Some of his works dealt directly (as in the present work) with the problems faced by an aging director who wonders if he can still keep it together."Si Versailles M'Etait Conté" showed an aging Louis XIV,in the Maintenon years ;"Si Paris M'Etait Conté" showed an old Voltaire .But it was "Debureau" that revealed the director's fears.
Not a very entertaining work,more interesting than really enjoyable;it does not give as much pleasure as such works as "Les Perles De La Couronne" or one of the two movies I mention above.In spite of its dialog written in verse,it's an almost frightening meditation upon mortality,Guitry's most confessional film .
Deburau (spelled Debureau) was a character in Carné's masterpiece "Les Enfants Du Paradis";but Guitry's Deburau has become an old mime whose life is coming to nothing when he has to retire and when his lover leaves him for another younger suitor .The last picture,in spite of its "the show must go on" feeling ,is the saddest in all Guitry's movies.
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"La Fin Du Jour",Julien Duvivier 1939 "Limelight" ,Charlie Chaplin ,1952
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