When Peter takes Wendy to Neverland - a burnt out suburban amusement park filled with self-styled fairies, lost punks and beautiful performers - the classic fantasy story becomes a chilling... See full summary »
Jess is a solo mother and reluctant parking warden. Tom is a self-obsessed Greetings Cards salesman with an addiction to competitions who will do anything to win. Together they are just two... See full summary »
A quiet school truant officer, Joe, uncovers a young boy's attempt to fake a residential address, and subsequently gets involved romantically with the boy's mother. The truant officer ... See full summary »
Director Mark Tapio Kines ran out of funds shortly after filming wrapped in August 1997, leaving him unable to complete post-production. Thanks to his experience as a web designer he was able to create an official website for the film ("forcor.com") to spark interest among the Internet community. A year later the director had received $90,000 in investments from complete strangers (including fans of principal star Melanie Lynskey) and a further $60,000 from friends and acquaintances, enabling the film to finally be completed. The makers of The Blair Witch Project later employed a similar technique of using the Internet to market their film. See more »
My sentiments about this film remain much as my earlier comments indicate. However, the director, Mark Kines, was kind enough respect my right to the opinions I offered, while pointing out -- via the IMDb -- that, factually, Melanie Lynskey did NOT have to pay her way to the US from New Zealand. She was treated rather well here, glad to have an opportunity to be near Hollywood to explore possible future roles, make contacts with major studios, etc. She also knew the script in advance of coming. Kines had the smarts to seek her out and ask for her -- and PAY her! He deserves credit for that and more. I am sorry to have misled people. Was it fair to characterize her role as Melody as being "a wallflower"? A few other viewers' comments have been even less kind; still, "wallflower" probably was the wrong word. Melody knows what she's about; she's no push-over. She may be unhappy, yet never desperate or desolate. My problem remains: it's just not very dynamic. I'm not asking for gunfire, or weeping and running about. So-called quiet films often appeal to me for their very quietness. And, as I said before, there's much to enjoy about "Foreign Correspondents." I'm happy to say it again. What Kines attempted with her plot-line was extremely difficult -- and maybe film schools should post signs in big letters: Don't try this! Having Michael J. Fox play a coke-head in "Bright Lights, Big City" comes to mind. Not for a minute was he convincing in that role. (Loved him in "Doc Hollywood.") Kines' error was of a much lesser magnitude. And... my expectations for Lynskey and her part were sky-high, up in the clouds. I would accept no less than another "Heavenly Creatures" turn. And why not add in some startling b&w images from old Orson Welles' films, too -- and those terrific dancing mud-creatures -- what happened to them? All of which made it difficult to see and appreciate "Foreign Correspondents" in its own right; so I apologize.
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