Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. An unusual relationship forms as she becomes his protégée and learns the assassin's trade.
The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate, and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart.
Derek Vineyard is paroled after serving 3 years in prison for brutally killing two black men who tried to break into/steal his truck. Through his brother's, Danny Vineyard, narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.Written by
Edward Norton was said to have re-edited the film to lengthen his screen time. Director Tony Kaye then attempted to get his own name removed from the credits but violated a Directors' Guild of America rule that states that directors that use pseudonyms (such as "Alan Smithee") must not talk about why they had their name removed - which Tony Kaye had done in ads in Variety. According to Entertainment Weekly, he then wanted his credit to read "Humpty Dumpty". Eventually, Kaye sued the DGA and New Line Cinema for $200 million ($275 according to the book Cinematic Century) stating that the DGA rule violated his first amendment rights. See more »
When the police officer is pulling Derek off the ground after the shooting, he has his right arm over Derek's chest. In the next shot, he has his left arm, and then in the next shot his right arm again. (This is the second flashback to this incident, occurring about 1 hour into the film.) See more »
Come in here Danny.
Seth... Hey man you going to Cam's party tonight?
Is Davina's ass water tight?
You're fuckin sick man.
Alright, relax let me ask you a few questions.
I'm not in the mood I got a lot of homework to do.
Tell me some of the shit you've learned fuckass before I pistol whip you!
Ok, I believe in death, destruction, chaos, filth, and greed!
Cut the shit Danny come on. Tell me what I wanna hear asshole.
You mean that shit about your mother man?
[...] See more »
The TV version aired in the USA on the WGN Superstation on January 26th, 2004 had the curb stomp and shower scenes slightly cut. See more »
Not a perfect film, but very good - Norton's performance is the highlight
"American History X" is a bold and disturbing movie about family, racism and our own self-perceptions. Its main character is Derek (Edward Norton), a neo-Nazi skinhead who is released from jail to find his younger brother (Edward Furlong) descending down the same corrupt path as he once walked.
In jail Derek learns a few things about life, and racism, or more appropriately, himself, and after becoming a free man again takes it upon himself to set his brother on the straight and narrow path.
"American History X" is not a pleasant motion picture. It begins in flashback, as Derek murders two black kids trying to break into his car. His brother, who idolizes Derek and later mimics his lifestyle, witnesses this event. It's a good message about negative influences, along with everything else.
Much has been made of the film's controversy and lawsuits. Director Tony Kaye disowned the film after Norton (allegedly) re-edited footage to give himself more screen time. Kaye tried to have his name changed on the film credits, but by this time he had already taken out a complaint in several magazines, which are against the rules of the Director's Guild. He was therefore denied the opportunity to credit the work as "directed by Humpty Dumpty." Then, musical band Anti-Hero complained to New Line Cinema (the film's international distributor) because one of the Nazi characters featured a tattoo of their band. They later wrote a song, called "NLC," bashing the company.
Despite the hard-edged controversy it's still a very good film, above all else extremely well-acted and featuring a gripping storyline even if the direction isn't always up to par.
Edward Norton is simply superb in his role, showing extremely raw talent a mere two years after his film debut (in the Richard Gere thriller "A Primal Fear"). Norton careens between the role of a raging, vicious supremacist and a kindler, gentler version of the same character; a metamorphosis so convincing it's hard to believe it's just one actor.
The rest of the cast is good as well Furlong gives the best performance of his career and Beverly D'Angelo and Stacy Keach have strong supporting roles. (D'Angelo in particular, who portrays a sleazy alcoholic a stretch compared to her usual Normal Mom roles in the "Vacation" movies.) "American History X" isn't exactly rewarding of all the praise it has been lavished since its release (mainly from viewers rather than critics, who were less kind) it isn't the best movie of its kind or even a flawless one. The black-and-white photography isn't on the same level, visually, as "Raging Bull" or "Schindler's List." The preaching is a bit heavy-handed at times.
But it still manages to convey an important lesson and boasts great acting complimented by an (overall) impressive, gut-wrenching screenplay. A must-see for all who can stomach its content.
30 of 42 people found this review helpful.
Was this review helpful to you?
| Report this