In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind, who murdered his only son. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
Kevin Lomax, a ruthless young Florida attorney that never lost a case, is recruited by the most powerful law firm in the world. In spite of his mother's disagreement, which compares New York City to Babylon, he accepts the offer and the money that comes along. But soon, his wife starts feeling homesick as she witnesses devilish apparitions. However, Kevin is sinking in his new cases and pays less and less attention to his wife. His boss and mentor, John Milton, seems to always know how to overcome every problem and that just freaks Kevin right off.Written by
Steve Richer <email@example.com>
Lomax and Milton run into Don King at the bout. King was in attendance that night, because one of the fighters he promoted at the time, Oba Carr, fought on the undercard of the Roy Jones, Jr.-Bryant Brannon bout. Carr lost a 12-round decision to WBA welterweight champion Ike Quartey. See more »
In the courtroom at the end of the film, Kevin returns from the bathroom and sees Mary Ann. She is wearing a bright coat of glossy red/purple lipstick. As he goes to kiss her, she is wearing matte rose lipstick. See more »
After the film's initial release, sculptor Frederick Hart sued Warner Bros. claiming that a large sculpture prominently featured in the film (on the wall of Al Pacino's penthouse apartment) is an unauthorized copy of his work "Ex Nihilo", displayed at the entrance of Washington's Episcopal National Cathedral. According to a court settlement reached in February 1998, Warner has been authorized to release an initial run of 475,000 copies of the video of the film for rental, but will have to remove or re-edit over 20 minutes of scenes where the sculpture can be seen before releasing any further video or television versions. See more »
I watched this movie on DVD. It will be enough for me to mention that there had been no other movie where I'd had to pause the play in mere awe at the magnificence of the storyline! At a point, It was as if I could see my jaw on the floor praising in thorough amusement the brilliance, relevance-to-our-daily-lives, deepness of message, sophistication, great portrayal, top-of-the-class creativity, marvelous acting/directing/screen writing all having come together in a movie, which called for a rating of 9 out of 10 and no less, certainly, undoubtedly.
Al-Pacino's acting is to no surprise as brilliant as ever, exuding confidence, proficiency and clarity as always. Keanu Reaves leaves a great master-play in his work, meeting up to the acting skills required in displaying a character of wisdom, success, love and perhaps, of vanity. Charize Theron too puts up a play of passion in its right.
But what amused me more than all were the great and fantastic script-lines thrown around. All very meaningful and interesting indeed. The whole movie got me stunned and fixed at the edge of my desk seat, but the favorite part for me has to come at the end, where the theme of the movie comes to words and finds a chance as of clarifying itself in one the most brilliant ways I as one have ever seen possible! Recommended for everybody willing to enjoin on a meaningful story and a blend of excellent plays... surely a 9/10.
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