Xena, a mighty Warrior Princess with a dark past, sets out to redeem herself. She is joined by small town bard, Gabrielle. Together they journey the ancient world and fight for the greater good against ruthless Warlords and Gods.
"In every generation there is a chosen one... she alone will stand against the vampires, the demons and the forces of darkness. She is the slayer." Buffy Summers knows this tale by heart, and no matter how hard she tries to be just a "normal girl", she can not escape from her destiny... Thankfully, she is not alone in her quest to save the world, as she has the help of her friends, the hilarious (and surprisingly quite effective) evil-fighting team called "The Scooby Gang". Together, Buffy & co. will slay their demons, survive one apocalypse after another, attend high school and college... and above all, understand that growing up can truly be Hell sometimes... literally.Written by
James Marsters' V/Y-shaped scar on his left eyebrow, which he received during a mugging, was worked into the show; make-up artist Todd McIntosh decided to shave out his eyebrow in order to make it more prominent. He also included the scar on Spike's "vamp face" prosthetic, albeit slightly altered as though the skin has stretched. In Spike's first appearance in the series, the wound still looks fresh, but it gradually blends in over the course of the series, eventually to the point where it is barely visible. See more »
In nearly every episode presented in widescreen, there is crew/equipment visible and/or revealing mistakes. This is because the series was originally shot for 4:3 frame and these issues would not have been visible as the show was originally intended to be presented. As such, one should take much of the goofs reported on episodes as being conditional on applying only to the widescreen alternate version. See more »
Season 4 final credits include this disclaimer: "UC Sunnydale" is a fictitious university. Any similarity to an actual university is purely coincidental. No representations, warranties, or characterizations of any type regarding any actual university including any named "UC Sunnydale" or "University of California at Sunnydale" are intended and none should be inferred. See more »
In the UK, the BBC managed to get 16:9 widescreen versions of Buffy episodes from season 4 on. These are broadcast in anamorphic widescreen on all digital TV platforms and 14:9 on analogue. The UK DVDs are also presented 16:9 widescreen. In the original US airings and on the US DVDs, the aspect ratio is 4:3 for all episodes except "Once More With Feeling," which is 16:9 everywhere. See more »
It is so hard to believe it's been so long since this wonderful program first graced our television sets. Even harder to believe that I didn't get hooked until the fifth season.
I knew of it's existence, of course, but I thought what a lot of people did. "Buffy? C'mon... Buffy?!? The...VAMPIRE slayer??". So I discounted it until I was flipping around many, many channels of garbage and stopped on either Spike (the channel) or FX and paused because it was the most interesting thing on.
The episode was Listening to Fear, and although I thought it was a bit hokey, I was intrigued and began to watch regularly. The series was still airing new episodes at the time and even though I wanted to watch those, I wanted to have the entire experience before the finale. As I moved through season five, they aired the final episode and it took all my will not to watch.
Cable television did what cable television does, so at the end of the fifth season, they wrapped and began airing from episode one. I was hooked. No... that's not quite right. You get hooked on "things". Buffy was not... is not "a thing". This "mere" television show and it's wondrous cast of constantly developing characters were real. Honest. They were family, as many have said before.
I miss them all terribly, even though I still see or hear them it's not the same. I watched Repo: The Genetic Opera and I saw Giles. I watched Scooby Doo and saw Buffy. How I Met Your Mother? Willow.
Honestly, this wasn't just a good or even great show. It was an important show. The genius flowed down from Joss and permeated the beings of everyone who worked on the program. As much as I would love to see them all in character once more, I hope it never happens, because magic only happens once and even Joss could not top what he's already gifted the world with.
All I can say is, to Joss all the way down to "Best Boy" or the catering service, thank you for the best years television has ever seen. You should all be proud.
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