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Primal Fear (1996)

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2:28 | Trailer
An altar boy is accused of murdering a priest, and the truth is buried several layers deep.

Director:

Gregory Hoblit

Writers:

William Diehl (novel), Steve Shagan (screenplay) | 1 more credit »
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Popularity
604 ( 518)
Nominated for 1 Oscar. Another 10 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Gere ... Martin Vail
Laura Linney ... Janet Venable
John Mahoney ... Shaughnessy
Alfre Woodard ... Shoat
Frances McDormand ... Molly
Edward Norton ... Aaron / Roy
Terry O'Quinn ... Yancy
Andre Braugher ... Goodman
Steven Bauer ... Pinero
Joe Spano ... Stenner
Tony Plana ... Martinez
Stanley Anderson ... Rushman
Maura Tierney ... Naomi
Jon Seda ... Alex
Reg Rogers ... Connerman
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Storyline

When a young man, Aaron, is charged with the horrific murder of Archbishop Rushman, hot-shot Chicago lawyer Martin Vail takes on his defense at no charge. Aaron was a homeless street kid before he was taken in by the Archbishop. He's shy and speaks with a stammer. Vail is convinced that Aaron is innocent but after discovering a video that shows Aaron may have had good reason to want the Archbishop dead, he begins to question that conclusion. When Aaron lashes out at the psychologist examining him another personality, Roy, is revealed. With the trial already underway, Vail cannot change Aaron plea and so has to find a way to introduce his client's condition. Aaron has something of a surprise for him as well. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Sooner or later a man who wears two faces forgets which one is real. See more »


Motion Picture Rating (MPAA)

Rated R for brief grisly violence, pervasive strong language and a sex scene | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

3 April 1996 (USA) See more »

Also Known As:

Primal Fear See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$9,871,222, 7 April 1996

Gross USA:

$56,116,183

Cumulative Worldwide Gross:

$102,616,183
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Both Wil Wheaton and Leonardo DiCaprio turned down the part of Aaron Stampler. Wheaton turned down the role because he did not want to put off his acting school, and when his manager urged him to take the role anyway, he told him, "It is like Luke Skywalker when Yoda told him not to go and save his friends, but to stay on Dagobah and learn to be a Jedi instead. Luke didn't listen to him and that's why he never became a true Jedi master." Later, Wheaton regretted turning this role down, saying that this was a crucial factor why his career never got to be a successful one. See more »

Goofs

(at around 1h 14 mins) When Aaron pushes Martin Vail against the wall in prison you can see that the wall bends, showing that the wall wasn't made out of bricks or any other hard material. See more »

Quotes

[first lines]
[while getting dressed as Naomi helps him]
Martin Vail: On my first day of law school, my professor says two things. First was: from this day forward, when your mother tells you she loves you, get a second opinion.
Jack Connerman: [chuckles] And?
Martin Vail: If you want justice, go to a whorehouse. If you wanna get fucked, go to court.
See more »

Connections

References The Blues Brothers (1980) See more »

Soundtracks

Introitus: Cibavit Eos
by William Byrd
Performed by The Voices of Christ Church Cathedral Choir
Conducted by Stephen Darlington
Courtesy of Nimbus Records
See more »

Frequently Asked Questions

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User Reviews

The birth of a star and the resurrection of another
8 May 2004 | by advixenSee all my reviews

It's not often that viewers get a chance to watch a star being born - that a talented unknown actor's performance that is so spectacular it leads to the A-list in one role is rare: Julia Roberts in Pretty Woman, Brad Pitt in Thelma & Louise to name a recent few. But Edward Norton's turn as the "defendant/victim" in Primal Fear is one of those "Wow" moments that leaves the audience salivating for his next performance. In this feature debut, Norton outdistances his role, as does Richard Gere, in a resurrection no less impressive than Norton's star-making turn. Heretofore, Gere has specialized in assorted intelligent professional cad roles. Here, he gets a chance to inhabit one that not only wears his dubious character on his sleeve, but wears it, drives it, drinks it... revels in it. Yeah, sure somewhere there's a heart of gold, but like his client, the layers on top serve him better, and the heart of gold is tarnished. Gere is at his peak, comfortably, cheerfully inhabiting the role.

Laura Linney deserves extra credit for often being the ice-queen foil which propels the two male characters' development; her own character is rather one- dimensional, but she herself squeezes as much dazzle as she can from it. Even though everyone else obviously falls for whatever Gere's Vail purrs into their ears, it's merely enough time for Linney's Janet to get a drag on her ubiquitous cigarette; another step in what will (hopefully) someday be film's love affair with her. Wasted, sadly, are fine character actors like John Mahoney, Steven Bauer, Maura Tierney & Andre Braugher who could have lit up the screen had they not been handed scripts with generic character stereotypes.

See it to watch the ascension of Norton and Gere.


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