In this luminous tale set in the area around Sarajevo and in Italy, Perhan, an engaging young Romany (gypsy) with telekinetic powers, is seduced by the quick-cash world of petty crime, which threatens to destroy him and those he loves.
What could be better for the village than a scenic railway to bring in the tourists? What could be worse for tourism than war? Luka builds the railway and shuts his eyes to war. Then Luka's wife runs off with a musician and his son is called up to the army. Luka's life is a war zone. Then he meets Sabaha..
A young man grows up in Sarajevo in the 1960s, under the shadow of his good, but ailing father, and gets attracted by the world of small-time criminals. They hire him to hide a young ... See full summary »
During the war in Bosnia, two childhood friends eventually become enemies, as the tragic and devastating circumstances of the war put them on the opposite sides and expose the most gruesome and cruel aspects of the human nature.
The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't mention to the workers that the war is over, and they keep producing. Years later, they break out of their underground "shelter" --- only to convince themselves that the war is still going on.Written by
Those who have seen "Underground" have probably noticed that we are not watching one film but a collection of at least 10 films in one single masterpiece!!
I watched with great enthusiasm the work of Kusturica after "Underground" in films like "Arizona Dream" or "Black Cat White Cat" films which prove to be more elaborate and "smoother" in terms of direction (brilliant works as well!!) but none of these films could ever equal the "nerve" and strength of a very young Kusturica at his best! One could see the passion and boldness that is at stake in this motion picture. It's as if he gambled his own life doing "Underground"
How else can you describe this work of art if not a mixture of devilish and holy images that take the shape of a flawless piece of theater-dance!!
The actors speak, dance and create (more than interpret) with a vigor rarely found outside the Balkan Circle!
In terms of theatrical aesthetics the film incorporates Stanislavski( realism at its best), Brecht (at certain points the actors step out of their roles and mock at themselves) and Artaud (they are flames more than humans)
Needless to say more!
Shocking, raw, heart-breaking!!
One of the most beautiful I have ever seen! 10/10
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