You've run out of options, no school, no job. Steal a car, smash a shop with a heavy car and reap the proceeds! This movie is about underground England. The causes, the benefits, and the result of a life of 'crash and carry.'
Michael Lewis, a young American architect, is sent to Britain to refurbish an old London hotel. But this assignment instantly stretches beyond the ordinary as he finds himself exposed to a ... See full summary »
Paul W.S. Anderson
A slave-turned-gladiator finds himself in a race against time to save his true love, who has been betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts, he must fight to save his beloved as Pompeii crumbles around him.
While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
Paul W.S. Anderson
George Kuffs, 21, leaves a pregnant girlfriend. He visits his brother Brad to bum money off him. Brad's shot and George IDs the killer at SFPD but to no avail. He inherits Brad's patrol district. He keeps it to get the killer.
Bruce A. Evans
Ric Roman Waugh
An enigmatic fragment of a bigger story, showing events leading up to a pivotal moment in the life of a strange, troubled young man. After losing his home, fiancée and job, he finds a moment of hopefulness.
Lone group of teens, led by recently released joyrider and his disenchanted Belfast girlfriend, strives to leave their mark on "a British city in the near future" while attempting to avoid a rival gang. Scenes of joyriding and ram-raiding, which attempt to portray the addictiveness of fast driving whilst also showing the downside (the effect on the community and ultimately death)Written by
Andrew Welsh <email@example.com>
The chavs of today could learn from Billy's style.
Brilliant if slightly flawed - one for the gutter kids of the 90s.
I didn't think I'd like this film after all these years. Boy was I wrong! Billy is actually much more sympathetic than his role suggests, compared to the criminals of today anyway. He's a loser adrenalin junkie, true, but there's something pure, almost artistic about his love of the chase and addiction to capturing and destroying high powered automobiles.
He doesn't attack people and he isn't in it to make money - he just loves shopping! By which I mean ram-raiding high class shopping malls and stealing odd bits of crap. Billy isn't antisocial, he loves his father (who has given up on him) and has a great platonic love for his girl, whom he doesn't shag but prefers to stay best friends with. All in all, a very sympathetic character that just couldn't exist today. Bit silly, but then I think you had to be around in the 90s to really appreciate what this film's about - there was that time when nobody had any money and car thieves had the edge on the cops, and all their crimes only involved cars and shops anyway, and who cares about some stupid machine? It reminds me a lot of "Crash" - the JG Ballard novel and the late-nineties film - in that it has that Ballardian acknowlegement that we all secretly want the bomb to drop, we want the bad guy to win, and that's what's so great about Shopping. Considering that he's a posh kid Jude Law's performance is stellar.
So if you like the 80s and 90s, like the "industrial" asthetic, love to see cars destroyed, hate (or have hated) authority, watch this film. It's the cools.
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