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Interview with the Vampire: The Vampire Chronicles (1994)

Trailer
2:29 | Trailer
A vampire tells his epic life story: love, betrayal, loneliness, and hunger.

Director:

Neil Jordan

Writers:

Anne Rice (screenplay), Anne Rice (novel)
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Popularity
974 ( 111)
Nominated for 2 Oscars. Another 21 wins & 31 nominations. See more awards »

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Cast

Cast overview, first billed only:
Brad Pitt ... Louis
Christian Slater ... Malloy
Virginia McCollam Virginia McCollam ... Whore on Waterfront
John McConnell ... Gambler
Tom Cruise ... Lestat
Mike Seelig Mike Seelig ... Pimp
Bellina Logan ... Tavern Girl
Thandie Newton ... Yvette
Lyla Hay Owen Lyla Hay Owen ... Widow St Clair
Lee E. Scharfstein ... Widow's Lover (as Lee Emery)
Indra Ové ... New Orleans Whore (as Indra Ove)
Helen McCrory ... 2nd Whore
Monte Montague Monte Montague ... Plague Victim Bearer
Kirsten Dunst ... Claudia
Nathalie Bloch-Lainé Nathalie Bloch-Lainé ... Maid (as Nathalie Bloch)
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Storyline

Against the backdrop of a gloomy San Francisco, the nearly two-century-old vampire, Louis de Pointe du Lac, recounts the unbelievable story of his eternal transformation and a life worse than death to the sceptic reporter, Daniel Molloy. Spanning two hundred years of cruel betrayals, extreme solitude, and unquenched thirst, Louis' grimly fascinating tale pivots around his perpetually regrettable decision to embrace the dictatorship of blood, and, above all, his maker: the seductive blonde aristocrat of death, Lestat de Lioncourt. Is Louis' mystical epic of bloodshed genuine? Is this, indeed, an interview with a vampire? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

Drink From Me And Live Forever

Genres:

Drama | Horror

Motion Picture Rating (MPAA)

Rated R for vampire violence and gore, and for sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

11 November 1994 (USA) See more »

Also Known As:

Interview with the Vampire See more »

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend USA:

$36,389,705, 13 November 1994

Gross USA:

$105,264,608

Cumulative Worldwide Gross:

$223,664,608
See more on IMDbPro »

Company Credits

Production Co:

Geffen Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Would be the highest grossing vampire movie for over a decade, however, as of 2016, it's the highest grossing R rated vampire film of all time. See more »

Goofs

In the very beginning, just before Louis begins his story, the shot from outside the window shows Louis' hair down. The next shot in the room of Louis' back shows his hair pulled back in a low pony tail. See more »

Quotes

[first lines]
Louis: So you want me to tell you the story of my life?
See more »

Crazy Credits

In Memory of River Phoenix 1970-1993 See more »

Alternate Versions

Reportedly, in original screenings of the film there was extra footage in the scene where Louis finds the burnt bodies of Madeleine and Claudia. In this version, after the bodies crumple to ashes, Louis takes Madeleine's locket that has the picture of the little girl who resembles Claudia. See more »

Connections

Referenced in Attack of the 60 Foot Centerfold (1995) See more »

Soundtracks

Sympathy for the Devil
Written by Mick Jagger and Keith Richards
Published by ABKCO Music, Inc.
Performed by Guns N' Roses
Courtesy of Geffen Records
See more »

Frequently Asked Questions

See more »

User Reviews

 
Deep-thinking vampire searches for meaning in eternal life
31 January 2005 | by AquillyneSee all my reviews

'Interview with the Vampire' is an atmospheric, highly gripping "film involving vampires" - not a "vampire movie". Whilst the latter would describe a film that focuses on its vampirism and might be judged on the sharpness of its fangs, this "film involving vampires" has all the merits of the very best cinema, and at its core is nothing but a fantastic story carried by compelling, believable characters.

For those who may not be able to overlook the vampiric content, look again. The vampirism herein is a plot device, a way of presenting characters who cannot die or age or be harmed, so that the philosophical questions of life itself can be explored. But equally, for those who will be interested in the vampiric content, this film presents a rich mythology backed by a trilogy of books, which fleshes out the concept of the vampire in a much deeper way than any other production.

Every person has their own world view, their own way of living and thinking. People can be brooding, contemplative, cautious, reasonable, carefree, hedonistic, optimistic, emotional - and every shade in between. But these are all world-views based on the knowledge that life is short. What would happen if told their lives would never end? Who would be happiest? What would they do? How would eternal life affect each person? And most importantly, if a way of living was bringing meaning to a person's life, would that still work once life was infinite? All of these questions help us explore philosophical ideas as old as time, and that exploration is the focus of this film.

The story is propelled by vampires Louis (Pitt) and Lestat (Cruise), each representing a different take on life. Whilst Louis, who began as a depressive wanting to die, thinks of eternity as an extended curse; Lestat, who seems to live every second as it comes, barely even considers the future three minutes hence. Told from Louis' viewpoint as he struggles to find some meaning in a life he knows will never end, we are taken on a ride across the centuries, as Louis' outlook and happiness undulate whilst characters and relationships come and go.

Alongside Louis' turmoil in coming to terms with his (now eternal) life, a secondary theme is explored, which is the notion of survival. Even though Louis is clearly dissatisfied with life, he never attempts to end it, despite this option being open to him. In other words, surviving, in and of itself, was a motivation that outdid any other. Most importantly, survival outdoes Louis' trouble over the fact that his only source of nourishment is now the blood of living animals, preferably humans. Despite attempting abstinence, and then attempting to drink only the blood of rodents, this basic feeding instinct proves too much for Louis. And yet, as Lestat points out, what is the problem? The fittest always survives, and whoever is lower down the food-chain will be eaten. Humans eat animals, and vampires eat humans - it's all natural. But nonetheless, are there moral limits? Even if you have to kill a human, is there a more moral way to do it? "Monstrous," Louis exclaims, as he watches a group of vampires murder a defenceless girl. Yet might survival require the forgetting of moral consciousness, like Lestat?

'Interview with the Vampire' explores all of these deep, important issues whilst delivering an incredibly powerful story populated by charismatic characters, haunting and diverse settings and immortal dialogue. Gripping from start to finish, you will be enamoured at the vampire-world opened up to you; and by the end, you are left wondering what choice you would have made, given the one that Lestat never had...


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