About the daring adventure of exploring rain forest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur ... See full summary »
This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.
Herzog's documentary of the Wodaabe people of the Sahara/Sahel region. Particular attention is given to the tribe's spectacular courtship rituals and 'beauty pageants', where eligible young... See full summary »
Through examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, and her work on behalf of other deaf and blind people, this film shows how the deaf and blind... See full summary »
German-American Dieter Dengler discusses his service as a U.S. naval pilot in the Vietnam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Viet Cong, recreating many events for the camera.
An alien narrates the story of his dying planet, his and his people's visits to Earth and Earth's man-made demise, while human astronauts attempt to find an alternate planet for surviving humans to live on.
Sorry but as a Russian I can't perceive this seriously. With all my respect to Herzog it's NOT a true depiction of Russian faith and superstitions but rather a Borat-like comedy disguised as a highly objective and free from personal opinions documentary report.
If this movie has made you think that people like notorious exorcist Wisard Vasilyev, self-declared messiah Vissarion etc. are of any importance for the general Russian public then, well, you ought to consider imaginary movie called e.g. "Faith and superstitions in US" shot with a camera which thoughtfully dwells on ceremonies by Rev. Sun Myung Moon and Charles Manson.
Extremely tendentious and pretentious "Bells from Deep" can't be recommended to anybody except Russians: in their eyes it definitely deserves 10/10 for campiness (and BTW poses a question about relevance of other Herzog's ethnographic movies).
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