In 1941, New York intellectual playwright Barton Fink comes to Hollywood to write a Wallace Beery wrestling picture. Staying in the eerie Hotel Earle, Barton develops severe writer's block. His neighbor, jovial insurance salesman Charlie Meadows, tries to help, but Barton continues to struggle as a bizarre sequence of events distracts him even further from his task.Written by
Scott Renshaw <email@example.com>
The title of Barton Fink's play "Bare Ruined Choit", is from William Shakespeare's "Sonnet #73", the first four lines of which are "That time of year thou mayest in me behold, When yellow leaves or none or few do hang, Upon those boughs that shake against the cold, Bare ruined choirs where late the sweet bird sang". See more »
Charlie's (John Goodman's) leaking ear infection changes sides and mysteriously spreads from his right ear to his left after he returns from one of his enigmatic trips. See more »
I've got a writer here - Fink - all screwy! Says I'm producing that Wallace Beery wrestling picture. What am I, the goddamn janitor around here?
See more »
The 20th Century Fox logo appears over silence; the "fanfare" is not played. See more »
I recently purchased "Barton Fink" along with "Miller's Crossinhg", another Coen Brothers gem.
Barton Fink quite simply is a writer who cannot see the forest for the trees. He is so taken with the fact that he is a writer that he can't write. He is so idealistic that he misses fantastic opportunities to become a writer for the ages because he wastes precious time proselytizing. John Goodman perfectly sums up everyone's frustration with Barton Fink when after a series of unfortunate occurrences, Barton asks him "Why me?" to which John's character answers "Because you don't LISTEN!" Set in 1930s Hollywood we follow the exploits of a one-hit wonder, Barton Fink, who has written a successful Broadway play and is summoned by the powers that be to Hollywood. After much cajoling to take the job from his agent, Barton arrives in Los Angeles determined to become the writer for the common man where he insists true stories live. The trouble with Barton, however, is he does not have time for the common man because he has so romanticized their lot as well as his particular quest in speaking for them.
Excellent performances from John Turturo, John Goodman, Judy Davis, John Polito (often overlooked, but his scenes ALWAYS become his!!) and the inimitable Tony Shaloub.
I have decided after a slew of Coen Brothers films I currently have in my collection, that any project these guys are involved with deserve more than passing scrutiny.
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