In 1938, Jewish rights activist Emma Sachs is targeted by the Nazis. When she dies, foul play is suspected. But was it the Nazis, or was it someone else? Detective Tony Rossini investigates... See full summary »
Larry Abbot, speaker in the radio horror shows of Manhattan Mystery Theater, wants to marry. For the marriage, he takes his fiancée home to the castle where he grew up, among his eccentric ... See full summary »
Completely innocent man, Michael Jordon, is drawn into a web of government secrets when a girl carrying a mysterious package gets into a taxi with him. When she's later murdered, Michael becomes the chief suspect and goes on the run.
When Duffy Bergman, a New York City cartoonist, meets Meg Lloyd, a gourmet chef, he discovers the love of his life and they marry, yet love alone isn't enough to make them happy. Meg decides she wants to have a baby, a goal that initially makes Duffy frantic, but soon becomes his most important desire as well. When they are unable to have a baby, Meg begins concentrating on her career and the two slowly drift apart, eventually separating. Later, when Duffy is speaking at a convention of the Delta Gamma sorority, he reveals that the Delta Gamma girls have always been his dream girls, his Love Goddesses. There, he meets the young and uninhibited Delta Gamma girl, Daphne Delillo. When Daphne moves to New York City to work as a network sports reporter, their mutual attraction, and Daphne's spontaneity spark an adventurous new relationship for Duffy. Now Duffy must decide which is more valuable to him, the relationship he has given up, or the relationship he has always dreamed of having.
Gene Wilder struggles manfully to keep this limp, occasionally lame comedy afloat, but he's quickly defeated by unsure Leonard Nimoy direction, shabby editing and writing. A professional cartoonist falls for an attractive female chef (she can't be much of a chef since his first impression of her food is disgust); after meeting cute, they decide to marry, but frustration soon arrives over their failure to conceive a child. Christine Lahti has a warm, ticklish presence, but her character here is so underwritten we're not sure how we're supposed to feel about her; Mary Stuart Masterson is much better as a fraternity sex-bunny, but she belongs in a different movie (with a different partner) altogether. Based on a magazine article by Bob Greene, the picture is full of comic ideas that don't play and dramatic interludes which wilt without the proper handling. *1/2 from ****
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