Daniel accompanies his mentor, Mr. Miyagi, to Miyagi's childhood home in Okinawa. Miyagi visits his dying father and confronts his old rival, while Daniel falls in love and inadvertently makes a new rival of his own.
A boy and his mother move to California for a new job. He struggles to fit in, as a group of karate students starts to bully him for dating a rich girl from their clique. It's up to the Japanese landlord, Miyagi, to teach him karate.
The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
One year after Kevin McCallister (Macaulay Culkin) was left home alone and had to defeat a pair of bumbling burglars, he accidentally finds himself stranded in New York City - and the same criminals are not far behind.
John Kreese, his life in tatters after his karate school was defeated by Daniel and Miyagi, visits Terry Silver, a Vietnam War comrade. Terry is a ruthless businessman and martial arts expert, and he vows to help Kreese gain revenge on Daniel and Miyagi, and reestablish Cobra Kai. Upon returning from Okinawa, Daniel and Miyagi discover that their apartment building has been demolished, which brings Miyagi out of work. Going against Miyagi's wishes, Daniel uses his college funds to realize Miyagi's dream of opening a bonsai tree shop, and becomes a partner in the bonsai business.Written by
Murray Chapman <firstname.lastname@example.org>
This movie was part of a wave in the late '80s/early '90s to introduce widescreen letterbox movies to the general public. The first printing of the VHS are all in letterbox; re-prints from 1994 claim to be in wide screen but are pan & scan. (Ghostbusters II (1989) was another big title movie released in letterbox only in the first printing, and many video stores got complaints about these titles because customers thought that there was half of the picture missing. Additionally, many video store owners called RCA/Columbia to find out if there was a printing problem, only to be told that they were meant to be this way.) See more »
In the beginning when Kreese goes to his now-closed Cobra Kai dojo, he looks at a newspaper clipping about Daniel winning the All-Valley Tournament. You can see the text of the story under the by-line and it has nothing to do with the All-Valley. (Also, the caption of the photo refers to "Mr. Miyagi"--did he not want to give the reporter or photographer his first name?) See more »
[Jessica has just called him a slimeball for his improper advances]
... Oh, that's cute. Did your mother teach you that one?
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Rumor has it Tom Cruise was offered the chance to reprise his signature '80s role in two (!) Top Gun sequels, but refused because he didn't want to do the same thing over and over. He has a point: some films, like Star Wars or Indiana Jones (even Rocky or Rambo, to a reasonable extent), can and in fact deserve to have follow-ups, because the people who made them genuinely think there is more to tell about those characters (Rocky V is too much, though); others, like Top Gun or The Karate Kid, are crippled from the beginning by the fact that they are indelibly connected to the decade that spawned them, and also suffer from having fairly basic scripts and characters that wouldn't really benefit from any continuation of the story. Sadly, Ralph Macchio never realized this, and so here we are: The Karate Kid, Part III.
Whereas the first film dealt with a recycled subject (young boy gets revenge on those who humiliated him) from a new angle, Part III resurrects the revenge theme with all its clichés. The "driving force" (assuming there is one) of the screenplay (if you can call it that) is John Kreese (Martin Kove), the sadistic karate teacher whose students got their asses kicked by Daniel Larusso (Macchio). Broke and lonely, Kreese decides to ask an old army buddy, Terry Silver (Thomas Ian Griffith), to help carry out a diabolical plan that will make Daniel and Mr. Miyagi (Pat Morita) suffer like never before. Getting them to fight back, however, will prove harder than usual, as Miyagi is more interested in opening a bonsai shop and Daniel refuses to act violently since he is - what a surprise, this - in love.
Love, vengeance, honor, blood and gratuitous butt-kicking are all thrown in the mix, though hardly any of them work to full effect. As a matter of fact, the more explicit violence suffocates the franchise's trademark comedy bits, leaving a few underwhelming Daniel/Miyagi moments with the duty of lightening the tone. Even worse, though, is the over-the-top behavior of the villains: Griffith does nothing but stare manically, shout and laugh, while Kove, who was funny in the first installment of the series, transforms Kreese into a grotesque parody of his earlier work. Only when the dead-certain final battle arrives, there is a sense of the trilogy regaining whatever it lost from Part II onwards. But the question remains: how many people will still be paying attention at that point?
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