Daniel accompanies his mentor, Mr. Miyagi, to Miyagi's childhood home in Okinawa. Miyagi visits his dying father and confronts his old rival, while Daniel falls in love and inadvertently makes a new rival of his own.
A boy and his mother move to California for a new job. He struggles to fit in, as a group of karate students starts to bully him for dating a rich girl from their clique. It's up to the Japanese landlord, Miyagi, to teach him karate.
The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
One year after Kevin McCallister (Macaulay Culkin) was left home alone and had to defeat a pair of bumbling burglars, he accidentally finds himself stranded in New York City - and the same criminals are not far behind.
John Kreese, his life in tatters after his karate school was defeated by Daniel and Miyagi, visits Terry Silver, a Vietnam War comrade. Terry is a ruthless businessman and martial arts expert, and he vows to help Kreese gain revenge on Daniel and Miyagi, and reestablish Cobra Kai. Upon returning from Okinawa, Daniel and Miyagi discover that their apartment building has been demolished, which brings Miyagi out of work. Going against Miyagi's wishes, Daniel uses his college funds to realize Miyagi's dream of opening a bonsai tree shop, and becomes a partner in the bonsai business.Written by
Murray Chapman <firstname.lastname@example.org>
Film debut of Thomas Ian Griffith, who portrays a Vietnam veteran; in real life, Griffith was only 13 years old when the Vietnam War ended. At the time this movie was made, Thomas was also four months younger than Ralph Macchio who played a teenager. See more »
When Miyagi sends Barnes flying through the Cobra-Kai door into the dojo, if you look closely, you can see some sort of table (with a blue tinge to it) that Barnes used to jump off of and into the door from. See more »
Look at this. Ten years ago, nuclear was the preferred waste. You could dump it anywhere! Now everybody's a detective. I'm lucky if I make one deal a YEAR without being indicted!
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Deeply flawed, but undeserving of 4 razzie nominations
The Karate Kid, Part III、as the title suggests, is the third film in the Karate Kid film series, released in 1989, directed by John Avlidsen, and starring Ralph Macchio as Daniel and Pat Morita as Mr. Miyagi. The Karate Kid film series is a rather typical example of other 1980s film series (such as Robocop) which just run out of steam as time goes on to the extent that they began with a bang and ended with a whimper. Despite its flaws however, The Karate Kid, Part III isn't nearly as bad as some people make it out to be and is certainly no Robocop 3. This review will discuss the problems with the movie as well as what it gets right, with an overall assessment of the Karate Kid original film series as a whole.
One of the biggest problems with this movie is the lack of continuity with the Karate Kid Part II, which for all its flaws did genuinely advance the story and develop Daniel and Miyagi's character. The film is fairly graceless in its dumping of Daniel's love interest Kumiko; it's explained that she just got a job in Japan that she couldn't turn down. This just didn't strike me as believable, perhaps because they had done it before in Part II. Daniel's relationships always happen to end between films? It's frankly insulting when sequels hit the reset button like this.
But the real continuity problem is one that is never addressed at all, and that is the relationship between Yuki and Miyagi. This is not presented as a mere superficial teenage romance, but instead as true love. Miyagi even says that he would stay in Okinawa, if not for the people trying to kill him. So why doesn't Miyagi stay in Okinawa after the conclusion of Part II, or take Yuki to America? It's never explained. This film takes a dump on Miyagi and Daniel's development; the second film may as well have never happened.
Moreover, all the balance and self-control that Daniel developed in the first two films is gone, indeed Daniel if anything seems even more neurotic and unbalanced than he was at the beginning of the original film. Daniel is whiny and angsty, going into long diatribes about his own inadequacy. This would be less irksome if it were a response to something far more drastic; but in Part II the villains were trying to kill him and his master; in Part III they are just trying to take away his title as champion by defeating him in a local karate tournament. So, Daniel is cool-headed when threatened with death in a foreign land, but the prospect of losing his title to a bunch of local punks turns him into a nervous wreck? The film also fails to find a coherent theme, besides poorly retreading the original.
That said, the film does manage to get some things right. As whiny as Daniel is, he retains something of his likability, even if it is diminished. We also have the things that make the whole series fun; wonderfully over-the-top villains and pseudo-eastern wisdom. The emotional core of the film is tarnished but intact; that of the relationship between Daniel and Miyagi. These two characters, although somewhat botched, still work together well.
None of the original Karate Kid films are by themselves incoherent, but taken as a whole the series is rather lopsided. They do get progressively worse as the series goes on, and by the end of Part III one is glad they never made a fourth film (unless you count the Next Karate Kid, and I don't). Still, while it's a shame that they never managed to quite recapture the magic of the first film, I'm glad I got to spend 3 films in the company of these terrific characters.
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