During the era of Prohibition in the United States, Federal Agent Eliot Ness sets out to stop ruthless Chicago gangster Al Capone and, because of rampant corruption, assembles a small, hand-picked team to help him.
Brian De Palma
Robert De Niro
A conflict develops between a troubled Vietnam veteran and the sister, with whom he lives, when she becomes romantically involved with the Army buddy who reminds him of the tragic battle ... See full summary »
Bounty hunter Jack Walsh (Robert De Niro) is sent to find and return bail jumper and former Mafia accountant, Jonathan "The Duke" Mardukas (Charles Grodin). The FBI has had no success in locating The Duke, so when Jack finds him in next to no time, they are a little embarrassed. In order to collect his $100,000 fee, Jack must take The Duke from New York to Los Angeles. However, the Mafia and the FBI have other ideas, as does Marvin Dorfler (John Ashton), a rival bounty hunter. On their long cross-country trip to LA, the two get to know each other and they build up a strange friendship.Written by
The film was shot on-location in Arizona, Chicago, New York City, Los Angeles, Michigan, Manhattan, Las Vegas, Idaho, and New Zealand. See more »
Why didn't the hit men just shoot the Duke when he gets off the bus. Instead they wait until all the FBI gets there and then start shooting. They would have been able to kill the Duke on the first shot. See more »
[Jack trying to pick door lock. He drops one of his picks. When he bends over to pick it up, a gun shot is fired through the door, right where his head had been previously]
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In the opening credits, Robert De Niro's name is spelled Robert DeNiro. See more »
Two cuts to remove lock-picking details were made to the UK video version, which was also upgraded from a 15 cinema certificate to an 18 on video. The British DVD release in 2000 restored the cuts made to previous UK versions. See more »
The first time I watched this movie, I immediately started it again after the credits rolled. Loved it just as much the 2nd time, and over the years, I can honestly say that almost anytime I watch Midnight Run, I usually end up watching it a 2nd (and sometimes 3rd) time within the next few days.
I'm fairly certain the reason for this is that it's evokes such a feeling, creates such a time and place, that I'm practically nostalgic for watching it the minute it ends. Part of that has to do with Danny Elfman's score, and part of it has to do with DeNiro's and Grodin's performances, but more than anything, it's the fact that they just don't make movies like this anymore.
Midnight Run is without a question a perfect movie, but more importantly, it's a time vessel back to an era where you could tell this kind of story, and make a movie like this, and everyone comes out on top.
I love this movie like I love my childhood.
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