In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
Composer and pianist Franz Liszt (Roger Daltrey) attempts to overcome his hedonistic life-style while repeatedly being drawn back into it by the many women in his life and fellow composer Richard Wagner (Paul Nicholas).
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
It's the late 1960's. Just for a lark, graduate student Eddie Jessup, known for being unconventional, brilliant and slightly mad, conducts experiments with an isolation chamber, using himself as the subject. His experiences in the chamber cause him to hallucinate, much of the imagery being religious-based despite he not being a religious man. Seven years later, he is a respected full professor in the Harvard Medical School. Believing he has lost his edge and has fallen into an unwanted state of respectability, Eddie decides to resume his work with sensory deprivation, this time using hallucinogens, specifically untested ones used in mystical Mexican rituals, to enhance the experience of being in the isolation tank. After initial tests, he claims he entered an alternate physical and mental state. Although unbelieving of Eddie's claims, his colleagues Arthur Rosenberg and Mason Parrish, as well as Eddie's wife, Emily, who is in her own right a respected academic, are concerned for ...Written by
In the basement of a university medical school Dr . Jessup floats naked in total darkness. The most terrifying experiment in the history of science is out of control... and the subject is himself See more »
In a 2010 interview with "The Arts Desk", William Hurt reported reading the script for the first time while in a Cuban coffee shop. By his own admission, after reading, he "couldn't stop weeping for about half an hour" and he "couldn't stand up for 45 minutes", because the script "was every idea that I had been thinking about. Everything was in this thing." He didn't want to star in the movie himself but really wanted to convince writer Paddy Chayefsky to make it anyway, because "the ideas had to get out". So he "took the script away for two weeks, memorized every word, worked on the entire structure of the entire thing, every scene" and went in after two weeks. Hurt says that "Fifty-nine minutes and 30 seconds later" he stood up and went like, "That's why I think you have to make it. And I'm going." But at that point, [director Arthur Penn], Chayefsky and [producer Howard Gottfried] went in a corner and started talking; after they were done, they told him they would have made the movie only if he was in it. See more »
Emily is shown as being very pale in her early scenes. All of her scenes take place in either New York or Boston. However, when she returns to Eddie, her skin tone is exactly the same as it was in the first half of the movie; she is supposed to have been in Africa for several months studying wild primates, but nowhere is she seen to have either a tan or sunburns. See more »
Altered States is not everything that it could be, and that's because director Ken Russell was more interested in assaulting the viewer with a series of startling (by 1980 standards) images than he was in exploring the stories subtext. Eddie Jessup is a scientist so introverted and afraid of human connections that it's not enough to abandon his family, he also has to further deprive himself of any and all stimulation, performing sensory depravation experiments on himself to attain better understanding of "ultimate truth." Jessup proclaims himself to be an atheist, but the visual content of his hallucinations reveals him to be a man who's more at war with God than a man who disbelieves. His descent into a more primal state of being is an obvious metaphor for how easy it is for a man with commitment issues and fear of intimacy to turn completely inward, leaving the real world behind. Some of what the character says early on about family and love make his motivations clear... Jessup is a man shattered by his father's death and unable to accept the vulnerability of the human condition. A viewer has to really work to absorb and enjoy these metaphors, though, as Russell never slows his onslaught of special effects. The movie also suffers from smart but unrealistic dialogue and ham-fisted performances from some of the principle characters (watch Blair Brown's over-the-top breakdowns in the last act). Altered States isn't the total package, it doesn't combine the visceral and the philosophical as well as movies like Jacob's Ladder or Natural Born Killers. But it's better than most of today's equivalent movies (Donnie Darko, etc) that want to stimulate and provoke the viewer and don't quite pull it off.
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