After she's been attacked in her apartment, Cathy starts reliving the event in her dreams. She seeks help at a sleep disorder research center, but in doing so she encounters some unexpected... See full summary »
The wife of a murdered petrochemical company chairman and a banker investigating the liquidity of his new bank stumble upon an international financial scheme that could lead to global economic collapse.
Alan J. Pakula
The two brothers Treat and Philip lived alone since they were kids. Interdependent they dwell in a loft house and live on little thefts, until an aging minor criminal moves in with them and takes over the role of a father.
Alan J. Pakula
American Walter Elbertson (Timothy Bottoms), in his late teens, is feeling lost within his family of overachievers. Thirty-something Englishwoman Lila Fisher (Dame Maggie Smith) is ... See full summary »
Alan J. Pakula
Don Jaime de Mora y Aragón
Ella Connors is a single woman who gets pressured to sell her failing cattle farm to her corrupt ex suitor, Jacob Ewing. She asks for help from her neighbor, Frank Athearn. As Ella and ... See full summary »
Burt Reynolds is an attractive middle-aged man who suffers a crisis of confidence when ditched by his ambitious singer wife (Candice Bergen), until he begins to forge a new new relationship with an equally insecure teacher (Jill Clayburgh). But when the wife attempts a reconciliation - seduction followed by a truly excruciating song she has composed for him - he realizes where his loyalty lies.Written by
"Starting Over" works very well because it's a film made for and by adults. And it's got some very funny moments.
Yes, it's got all the trappings of a typical "ROMCOM" but back in 1979, the ROMCOM formula had not developed into the hackneyed, tiresome concept that it became. By the late 90's, the style that "Starting Over" began seems to have expired (it arguably reached it's zenith circa 1994 with "Sleeping in Seattle". Whether one liked that movie or not, all the trappings of the stylized ROMCOM formula were firmly and grossly used in that one.) But I digress.
"Starting Over" works so well because of Pakula's typical very low keyed direction which allows James L. Brooks' screenplay to shine. But this film would be nothing without the cast. Clayburgh is fine but of the three leads, she's the least appealing. Don't get me wrong. She's an engaging presence in the film and it's quite understandable why Reynolds is attracted to her (except for a shower scene in which, to me, she over reacts). The hands down winners in this film are Reynolds and especially Bergen. Bergen tapped into a completely unexpected flair for comedy as a royally flaky song writing ex-wife of Reynolds. She's a gas especially in an hysterical scene when she begins singing a disco ditty ("Better Than Ever") in a hotel room while trying to reconcile with Reynolds.
Reynolds is a complete revelation. Gone is his trademark mustache and cockiness and it works to marvelous effect. He's mature, low key and completely likable. It would've been so easy for Reynolds to play down the part to the point where he appears to be sleepwalking (ala William Hurt in "The Accidental Tourist"). But here, though he's depressed, he's also alive. He's just a guy going through something that he wishes he didn't have to. He loves/likes his ex-wife and can't understand why he's the odd man out.
From a plot and structural standpoint, "Starting Over" isn't much. It's setup and resolution are standard and completely unremarkable. Aside from the wonderful cast and good writing, the film is photographed beautifully by Sven Nyquist. This Swede (who was Ingmar Bergman's chief Director of Photography) knows how to film chilly northern environments and he gives Boston in winter an appealing glow.
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