Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative...
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Jack Regan is a hard edged detective in the Flying Squad of London's Metropolitan Police. He pursues villains by methods which are underhanded and often illegal, frequently violent, and more often than not, successful.
Arthur Daley (George Cole), a small-time conman, hires former boxer Terry McCann (Dennis Waterman) to be his "minder", so Terry can protect him (Arthur) from other small-time crooks. While ... See full summary »
Ken Boon and Harry Crawford are two middle-aged ex-firemen. Harry retires and opens a hotel (The Grand Hotel), with Ken as a temporary odd-job man. During the seven seasons (1986-1992), Ken... See full summary »
Seven British construction workers escape Britain's ever growing dole queues and travel to Germany to work on a site in Düsseldorf. We follow their trials and tribulations of working away from home and away from the women they left behind.
Hard-bitten Flying Squad officer Jack Regan gets embroiled in a deadly political plot when an old friend asks him to investigate the death of his girlfriend. Framed on a drunk-drive charge ... See full summary »
Alcoholic and divorced father of a young daughter, DS Jim Bergerac is a true maverick who prefers doing things his own way, and consequently doesn't always carry out his investigations the way his boss would like.
Long running BBC comedy show consisting of sketches and humourous musical routines involving the large Ronnie Barker and the small Ronnie Corbett. Most sketches involved both men, but ... See full summary »
The Fred Tomlinson Singers
Comic goings on in this series set in an English holiday camp called Maplins. The title comes from the camp's greeting, which the staff are meant to say with enthusiasm but all too often ... See full summary »
CI5, the British squad formed by George Cowley to combat 'anarchy, acts of terror, crimes against the public', has developed into an international force with operatives hired from around ... See full summary »
Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie was a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, came to CI5 from the regular police force, and was more of an open minded liberal. Their relationship was often contentious, but they were the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.Written by
Marg Baskin <firstname.lastname@example.org>
Martin Shaw publicly disliked the series, describing his character as a "violent moppet". By contrast, Lewis Collins revelled in his tough guy image, becoming a black belt in martial arts, and joining the Territorial Army as a paratrooper. Allegedly, he also attempted to join one of the Territorial Army's Special Air Service (S.A.S.) Regiments, but was rejected as being too famous for their covert role. He would go on to play an S.A.S. Officer in The Final Option (1982) and Code Name: Wild Geese (1984) (Codename Wildgeese). The actors' contrasting attitudes influenced the writing for their characters, Bodie very much being written as a tougher, more ruthless individual with few qualms about his job, while Doyle is more thoughtful and troubled by the violence he has seen. See more »
[scene-setting voiceover from Season 1 opening titles]
Anarchy, acts of terror, crimes against the public. To combat it I've got special men - experts from the army, the police, from every service - these are The Professionals.
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The Season 1 episodes were originally shown with an opening title sequence which included scenes of Bodie and Doyle on an assault course, intercut with a stopwatch. However for repeats and DVD release, the more familiar Season 2-5 title sequence which started with car crashing through a plate glass window was retro-fitted onto the Season 1 episodes. See more »
"The Professionals" has been slated from all sides over the years. It's fallen foul of, among others, the self-appointed moralist zealots of television watchdog groups because of its often hard-hitting violence, and the feminist lobby for its portrayal of most of its female characters as bimbos and ciphers. Even Martin Shaw, one of its three main stars, was so embarrassed by the show that for years his veto prevented it from being repeated in the UK (or perhaps it was simply because he was ashamed of the perm which he sported throughout the show's six-year run and which led to co-star Lewis Collins giving him the nickname "the Bionic Gollywog"). Whatever the reason, "The Professionals" won few critical admirers at the time and now - in the age of political correctness - is perhaps even more widely pooh-poohed. So why did it run for 6 years and become one of British TV's biggest ever, and most popular, exports? And why does it still enjoy cult status? The answer, paradoxically, lies in the reasons why it was so widely reviled in the first place. It's violent, politically incorrect and - to put it kindly - doesn't demand that its audiences have the intellect of rocket scientists to follow its plots. It was escapist entertainment aimed at boys of all ages from 10 to 50. Pictures of Bodie & Doyle adorned the bedroom walls of teenage girls up and down the land as they got in on the act too. And the show practically became an hour-long advertisement for the Ford motor company. In the UK during the late 70s and early 80s, it was positively hazardous to venture forth on a Friday night during a "Professionals" run, for fear of being knocked over and hospitalised by some young Johnny screeching round the corner in his Ford Capri, pretending to be Bodie & Doyle. Sure, "The Professionals" (like most shows of the genre) had its moronic moments, but who can forget classics like the episode in which two anti-social misfits holed up on a high rooftop and started taking pot-shots at a nearby hospital? Or the one with Bodie trapped in a country house, under siege by a bunch of German terrorists and with all contact to the outside world lost? Everything the critics accuse "The Professionals" of may well be true. But who cares? It's still a cult classic. They don't make 'em like that any more.
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