With Jaime Sommers critically injured, Steve Austin races to Dr. Franklin's secret hideout to find the kidnapped Oscar Goldman. Austin plans to rescue his friend and boss despite Oscar's own orders ...
With time running out, Steve must do anything he can to disable the Russian space probe in spite of the fact that it is virtually indestructible and has numerous inventive capabilities that it uses ...
A wealthy mystery man named Charlie runs a detective agency via a speakerphone and his personal assistant, John Bosley. His detectives are three beautiful women, who end up in a variety of difficult situations.
When ace test pilot Colonel Steve Austin's ship crashed, he was nearly dead. Deciding that "we have the technology to rebuild this man", the government decides to rebuild Austin, augmenting him with cybernetic parts which give him superhuman strength and speed. Austin becomes a secret operative, fighting injustice where it is found.Written by
Murray Chapman <firstname.lastname@example.org>
The characters of Oscar Goldman (Richard Anderson) and Rudy Wells (Martin E. Brooks) appeared on this series and its spin-off, The Bionic Woman (1976). When the spin-off moved to another network, this practice continued. This was the first time the same continuing characters appeared on two different television series broadcast on two different networks at the same time. See more »
Steve Austin's bionic abilities are supposed to be kept secret. Yet, in several episodes he freely reveals it to people by demonstrating it or telling them. See more »
[Opening narration, version 2]
Steve Austin, astronaut. A man barely alive.
Gentlemen, we can rebuild him. We have the technology. We have the capability to make the world's first bionic man. Steve Austin will be that man. Better than he was before. Better... stronger... faster.
See more »
Several early episodes, now syndicated as two-part stories, were original broadcast as 90-minute TV movies. Most retain their original titles, except for the first two episodes of the series, "The Moon and the Desert," which were originally part of the original Six Million Dollar Man TV-movie. Several later two-hour episodes of the series have also been reedited into two-parters, such as "Lost Island." See more »
This is one of the ways you can tell you're getting old: when someone says the name "Steve Austin." Do you think of a bald wrestler rolling around on the mat groping other guys, or Lee Majors moving in slow motion and squinting? I think of the latter.
"The Six Million Dollar Man" is one of the first shows I remember watching as a child. I watched the shows, I played with the toys, I wanted to BE Steve Austin. Lee Majors (along with Clint Eastwood) proved that some people look so cool when they squint. I look like I need my prescription checked when I do it, but I'm not Lee Majors. Steve Austin could handle anything they threw at him, not just because of his bionics, but because he was smart, he never gave up and always kept his cool. I still want to be like him when I grow up.
Recently, I've seen some episodes on the Sci-Fi Channel. Sure, the 1970s fashions are a little jarring (polyester rules!), and sometimes the plots are juvenile, but overall the show holds up pretty well. It could be very intelligent when it wanted to be, funny when it was called for, and always exciting and fun. It reminds me of a time when six million dollars was a lot of money, and American technology could produce wonders like a functional cyborg.
Yeah, I'll take Lee Majors over the bald wrestling guy any day. After all, how many wrestlers could take on spies, terrorists, aliens, Bigfoot, a killer Venus probe and Sonny Bono and live to tell the tale?
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