Claude Bukowski leaves the family ranch in Oklahoma for New York where he is rapidly embraced into the hippie group of youngsters led by Berger, yet he's already been drafted. He soon falls in love with Sheila Franklin, a rich girl but still a rebel inside.
Two sisters Beatrice (Bee) and Evangeline (Evie) hit rock bottom when their father passes away leaving them in debt. Uneducated they strive hard to find jobs deemed worthy of their new ... See full summary »
Biography of songwriter and Broadway pioneer, Jerome Kern (Robert Walker). Unable to find immediate success in the U.S., Kern sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva Leale (Dorothy Patrick).
It's the late 1920s. Upon the death of wealthy Chicagoan Edward Dennis, his nine-year old son Patrick Dennis becomes the ward of their only living relative, Edward's equally wealthy New ... See full summary »
A modern-day version of the gospels, opening with John the Baptist calling a disparate group of young New Yorkers from their workaday lives to follow and learn from Jesus. They form a roving acting troupe that enacts the parables through song and dance, comedy, and mime. Jesus' ministry ends with a last supper, his Crucifixion in a junkyard, and, the following morning, his body being carried aloft by his apostles back into the world of the living on the streets of New York.Written by
Steven Dhuey <email@example.com>
All the cast members were involved in a production of Godspell. David Haskell, Robin Lamont, Katie Hanley, Joanne Jonas, Gilmer McCormick, and Jeffrey Mylett were in the New York production. Victor Garber starred in the Toronto cast, Jerry Sroka was in the Boston Cast, Merrell Jackson was in the Chicago cast, and Lynne Thigpen was in the Los Angeles cast. See more »
Just before the start of "God save the people", Jesus is bare-chested. But when he starts singing, he has a Superman shirt on. See more »
[after baptizing the disciples in the Bethesda Fountain]
I baptize you with water for repentance, but He that comes after me is mightier than I. I am not fit to take off His shoes. And He will baptize you all with the Holy Spirit and with fire!
You come to me?
I want to get washed up.
I would rather be baptized by you.
No, we do well now to comform with all that God requires.
See more »
The end credits include an infinity frames effect. A sixteen second film of a busy street is shown, and then the right and bottom of the frame is frozen in a sideways capital L. This then becomes the frame for the next iteration of the film, which in turn leaves its right and bottom edges as a frame for the next film. Over the frames and film are played thumbnails of the actors, then credit cards and finally a credit scroll. See more »
Overdone and cheesy, but quite infectious and full of joy
Let me start this review by saying that I'm not a Christian and I don't believe you have to be one to enjoy this movie. I first saw Godspell when it was released in the early '70's and have seen it many times since then.
I was having a conversation with a friend recently (he is a pastor) and I told him that I've always felt this movie wasn't made solely for Christians. In the 70's, there were a lot of young people looking for meaning in their lives, and I firmly believe Godspell was partially an attempt to reach out to those folks.
Many reviewers have had issues with the movie - John the Baptist and Judas are played by the same person, and while the crucifixion is addressed, the resurrection is not. Some have called it sacrilegious, others have found it offensive. However, if you were a young person in the 70's who was looking for some direction and wanted to find out about the basic teachings of Jesus Christ, what better way than to see a movie full of catchy pop songs and a cast of joyful young people being brought to him in (then) modern New York? Even if you were already a young Christian, you now had a way to celebrate the teachings of Christ with a style of music you were probably listening to anyway. I absolutely believe that this movie had a relatability that might have been missing in some of these people's lives. Bear in mind that the original stage version was written by a college student working on his masters.
Yes, the movie is dated and silly and overacted and hammy in parts. There is a lot of skipping, singing, acting out of parables and dancing going on while most cast members are wearing clownish outfits. All of that being said, I have never seen such heartfelt joy while a message was being given - the cast looks like they are having the time of their lives. The mood does become quite somber and sad towards the end, but the movie ends on an upbeat note of hope.
If I'm not mistaken, all of the cast members were unknown on the big screen when the movie was released. I think casting unknowns was a good move - I don't think it would have packed the same punch or had the same level of relatability if it had bigger names.
I wanted to make a comment regarding the song "Beautiful City". I don't know what the original meaning was for sure, but my take away from it has always been that now that the cast has been taught, they can spread the word to others and help them build a strong foundation that isn't made of alabaster and chrome. Some have thought the song wasn't appropriate for the movie - I guess it all depends on your interpretation.
So taken in the proper cultural perspective, Godspell is a powerful, uplifting and moving film about the basic teachings and crucifixion of Christ done '70s style. If you think you can get past the few discrepancies and the clownish clothing, it is worth a watch. And, again, you don't have to be a Christian to enjoy it.
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