7.4/10
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178 user 77 critic

True Grit (1969)

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3:39 | Trailer
A drunken, hard-nosed U.S. Marshal and a Texas Ranger help a stubborn teenager track down her father's murderer in Indian territory.

Director:

Henry Hathaway

Writers:

Charles Portis (novel), Marguerite Roberts (screenplay)
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Popularity
659 ( 2,089)
Won 1 Oscar. Another 5 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Wayne ... Rooster Cogburn
Glen Campbell ... La Boeuf
Kim Darby ... Mattie Ross
Jeremy Slate ... Emmett Quincy
Robert Duvall ... Ned Pepper
Dennis Hopper ... 'Moon'
Alfred Ryder ... Goudy
Strother Martin ... Col. G. Stonehill
Jeff Corey ... Tom Chaney
Ron Soble ... Capt. Boots Finch
John Fiedler ... Lawyer Daggett
James Westerfield ... Judge Parker
John Doucette ... 'Sheriff'
Donald Woods ... 'Barlow'
Edith Atwater ... Mrs. Floyd
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Storyline

The murder of her father sends a teenage tomboy, Mattie Ross, (Kim Darby), on a mission of "justice", which involves avenging her father's death. She recruits a tough old marshal, "Rooster" Cogburn (John Wayne), because he has "grit", and a reputation of getting the job done. The two are joined by a Texas Ranger, La Boeuf, (Glen Campbell), who is looking for the same man (Jeff Corey) for a separate murder in Texas. Their odyssey takes them from Fort Smith, Arkansas, deep into the Indian Territory (present day Oklahoma) to find their man. Written by John Vogel <jlvogel@comcast.net> [edited]

Plot Summary | Plot Synopsis

Taglines:

A Brand New Brand Of American Frontier Story See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

21 June 1969 (Japan) See more »

Also Known As:

True Grit See more »

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Box Office

Opening Weekend USA:

$157,788, 5 May 2019

Gross USA:

$276,418

Cumulative Worldwide Gross:

$276,418
See more on IMDbPro »

Company Credits

Production Co:

Wallis-Hazen See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

"La Boeuf" means "the beef" in French. Interestingly the "La" makes his name feminine. In French, "Boeuf" is masculine ("Le"). See more »

Goofs

Position of Rooster's right arm on the table while playing cards and talking with Mattie. See more »

Quotes

[first lines]
Frank Ross: Little Frank... You take care of your mama.
Little Frank: I will.
See more »

Alternate Versions

When submitted for a rating from the MPAA in 1969, the film was given an "M". The film was edited and re-rated "G". The American VHS version contains the "G" rated cut while the DVD is the uncut "M" version (which would be printed as "PG" since the symbol was changed in the 1970s). See more »


Soundtracks

Amazing Grace
(uncredited)
Lyrics by John Newton and music by William Walker
Sung at the hanging
See more »

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User Reviews

 
Authentic
27 August 2002 | by rmax304823See all my reviews

I have a kind of synchronistic relationship with this movie. I had dinner in a Chinese restaurant in Washington, DC, called "Chin's", and the next day sensed in the theater that the Chinese guy would be called "Chin." A bit later I bought a worn paperback copy of the novel in Mrs. Cohen's bookstore in South Windsor, Connecticut, not expecting much. The dialogue in the movie was stilted. I figured the novel was just some exercise in style. But that was wrong. The novel is even better than the movie. Charles Portis has got Arkansas of circa 1890 down pat. I looked up in the DARE all those expressions that didn't immediately click with me -- "blue john", "that's a big story," "barlow knife," "dogfall," "Christmas gift" -- and they all work. Portis hit every nail on the head, and not only with respect to lexicon. The novel as a whole is beautifully done. Not to denigrate the movie, though. Kim Darby and the other players are good. John Wayne is excellent as a character actor. His performance here ranks up there with his Captain Brittles in "She Wore a Yellow Ribbon." Why in God's name, after this, did he go back to his usual heroic roles in dismissable efforts like "The Train Robbers." Every word he utters here is "Rooster Cogburn," not "John Wayne," except for one exchange on horseback about Quantrell. Hoarse, drunk, smelly, weighty -- he embodies the part. The cinematography is without equal. Sharp, smooth. A viewer almost smells the junipers and pinon pines of the Colorado mountains and feels the nightly chill in the air and whiffs the campfire smoke. A marvelously done novel turned into as good a movie as possible. At one point, with nothing much being made of it, Kim Darby says of alcohol, "I would not put a thief in my mouth to steal my brains." Portis shouldn't get credit for that because it is a quote from Shakespeare.

I won't identify the play.


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