A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making.Written by
Colin Tinto <email@example.com>
This film talks about you...about your life...about your family...about your work...about your doubts...about your dreams...You will see yourself in the leading role as though you were looking in a mirror...This is your film. See more »
Ranked number 7 non-English-speaking film in the critics' poll conducted by the BBC in 2018. See more »
When Guido and Claudia go out for their drive, they stop near some springs. Guido exits the passenger side of the car (off camera); we hear the door open and close. But when Claudia, who was driving, steps out moments later (also off camera), we never hear her door open or close. See more »
man with kite:
[during the opening dream sequence while Guido floats high in the air like a kite over the beach]
Counselor, I've got him.
cardinal on horse:
Down. Come down.
[the man tugs at the tethered rope]
cardinal on horse:
Down for good.
[Guido plunges down toward the sea and the scene cuts to him waking up from this dream]
See more »
In the American theatrical release version, Rodgers & Hart's "Blue Moon" can be heard twice: the first time, when it's played by strolling strings near the shopping plaza where Guido meets up with his wife, Luisa; the second time, when Guido goes out for a drive with the "real" Claudia. However, in the original Italian release, the song played in both scenes is "Sheik of Araby." The Criterion laserdisc features "Blue Moon," but it's "Sheik of Araby" on the DVD, possibly due to the use of different source materials. See more »
I certainly wouldn't be saying anything new if I said that "8 1/2" is one of the most unique, fascinating, and personal pieces ever committed to film. It has consistently hailed as such, and its influence on film is far reaching and undeniable. It is certainly not one of the most entertaining movies of all time, and is actually quite long and difficult. But it is an incredible piece of filmmaking, and a gripping look at the difficulties of creating not just a movie, but art in general.
Guido (Marcello Mastroianni) is a popular movie director who is working on his new film. Along the way, he struggles with his screenwriter, producer, wife, and mistress. Each presents a different problem and obstacle. More and more difficulties arise, not just in his attempts to complete the movie, but in his own mind.
Guido, although flawed, is completely fleshed out, and draws sympathy from the audience. Yes, he is an adulterer, but he loves his wife. We see all of his personal desires and agony. We see how he suffers when he struggles with his desire to create the ultimate piece of art, one that offers something to everybody.
The movie is technically wonderful. The movement of the camera, the lighting, and the direction in general is top notch. The movie mixes in dreams with reality to create a dreamlike world, and put us closer into Guido's own mind.
Somebody who is looking for a movie as a two hour piece of entertainment will not enjoy this. But if you enjoy a movie that truly satisfies when it is finished, this is for you. It is quite long, and somewhat loose, but that is part of the interest. Moviemakers, or artists in general, will find that this film has a great deal to offer.
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