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Arturo de Córdova,
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Twin sisters Rosemary and Susie Allison are successful nightclub performers. Their act is about to come to a close when serious-minded Rosemary announces she's joining the Waves. Fun-loving Susie decides to enlist also, especially after she learns that crooner Johnny Cabot has just been drafted by the Navy.Written by
Daniel Bubbeo <email@example.com>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. It was released on DVD 14 November 2006 as one of 5 titles in Universal's Bing Crosby Screen Legend Collection, and again 11 November 2014 as one of 24 titles in Universal's Bing Crosby Silver Screen Collection. See more »
When Betty Hutton begins to write a letter, she is shown in medium shot and she is obviously just scribbling on the paper, but after the cut to an over-the-shoulder shot, the writing does not match and it is neat and legible. See more »
Only I wish... I wish...
I wish that I had been born twelve minutes earlier than you, and I'd have had all the brains.
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Light, breezy musical comedy with great score, flawed by Betty Hutton's overripe performance
Bing Crosby stars in this paper-thin musical comedy which doubles as an all-out flag waving morale-builder for the war effort. Although it boasts a noteworthy Johnny Mercer score, and Crosby's buoyant personality, `Here Come the Waves' is marred by extreme predictability and a glaringly overexuberant turn by Betty Hutton.
Crosby stars as a popular singer and bobbysoxers' idol, in a quasi-parody of Sinatra or even Crosby himself. Despite his colorblindness, he enlists in the navy and becomes romantically involved with a pair of WAVES who happen to be twin sisters (both played by Hutton). This leads to the usual complications, schemes, mistaken identities, one-upmanship, hurt feelings, and reconciliations. Along the way, Crosby and the WAVES put on a gala production for the servicemen, which climaxes in a show stopping performance of `Accentuate the Positive.'
Crosby brings his routine charisma to the role, which fits him like a glove. He gets to croon several other memorable songs, including `That Old Black Magic' and `Let's Take the Long Way Home.' But Hutton throws herself completely into her role(s), and comes off as far too bubbly and high-strung. Whether she honestly felt that the part called for so much pep or if perhaps she was trying her best to steal scenes from Crosby I do not know, but regardless of her motivations it is just too much, as director Mark Sandrich should have realized and immediately corrected. I grant that in a movie like this the plot is of minimal importance and exists merely to hold the tunes together, but this premise is tired and stale, and all the plot twists can be predicted from a mile away. It's unabashedly patriotic and perfectly harmless enough as entertainment, but there's honestly nothing new here.
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