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For Whom the Bell Tolls (1943)

Passed | | Adventure, Drama, History | 16 July 1943 (USA)
During the Spanish Civil War, an American allied with the Republicans finds romance during a desperate mission to blow up a strategically important bridge.

Director:

Sam Wood

Writers:

Dudley Nichols (screen play), Ernest Hemingway (from the celebrated novel by)
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Won 1 Oscar. Another 3 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gary Cooper ... Robert Jordan
Ingrid Bergman ... María
Akim Tamiroff ... Pablo
Arturo de Córdova ... Agustín (as Arturo de Cordova)
Vladimir Sokoloff ... Anselmo
Mikhail Rasumny ... Rafael
Fortunio Bonanova ... Fernando
Eric Feldary ... Andres
Victor Varconi ... Primitivo
Katina Paxinou ... Pilar
Joseph Calleia ... El Sordo
Lilo Yarson Lilo Yarson ... Joaquin
Alexander Granach ... Paco
Adia Kuznetzoff Adia Kuznetzoff ... Gustavo
Leonid Snegoff Leonid Snegoff ... Ignacio
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Storyline

Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan who has joined up on the side that appeals most to idealists of that era -- like Ernest Hemingway and his friends -- has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a bridge in a cave. Pilar, who is in charge there, has an ability to foretell the future. And so that night she encourages Maria, a young girl ravaged by enemy soldiers, to join Jordan who has decided to spend the night under the stars. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Taglines:

In spite of all the things that were done to me...I never kissed a man until you...and now there are only three days and three nights! See more »


Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

16 July 1943 (USA) See more »

Also Known As:

For Whom the Bell Tolls See more »

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Box Office

Budget:

$3,000,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (re-release) | (restored)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Writer Dudley Nichols depoliticized the screenplay, removing all references to Gen. Francisco Franco, loyalists and Falangists. However, he did keep in one prophetic comment about how Germany and Italy were using Spain as target practice. See more »

Goofs

During one scene at an enemy check point, the night sky is full of stars (2:23:55). We see a mounted enemy patrol riding by the check point under the moonlight (2:24:02). A few moments later, outside is clearly daylight (2:24:45), yet when the enemy soldier inside the check point booth blows into the lamp (2:25:29), the booth is in total darkness and there is no daylight coming through the windows. See more »

Quotes

Maria: If you don't love me, I'll love you enough for both of us.
See more »

Crazy Credits

Opening credits prologue: any mans death diminishes me, because I am involved in Mankinde: and therefore never send to know For Whom The Bell Tolls It tolls for thee.

Spain, 1937 See more »

Alternate Versions

Original roadshow presentation ran 170 minutes, not counting intermission. Film was later cut to 130 minutes for general release. The restored version released to VHS, laserdisc, and DVD, lists a running time of 166 minutes. This version was produced from a 156-minute archival print, with overture and entr'acte music making up the additional 10 minutes of running time, While this restored version reinstates most of the cut footage, about 4 minutes from the original roadshow remain missing. See more »

Connections

Referenced in USA High: For Whom the Bell Tolls (1997) See more »

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User Reviews

 
A Spanish Microcosm
20 May 2008 | by zolaaarSee all my reviews

Based in Ernest Hemingway's world famous bestseller, this film is one of those classical melodramas, even though not in a Douglas Sirk style and maybe of quite another matter. In the book, Hemingway worked up his own experiences in the Spanish Civil War of the 30s - the film was shot in the middle of World War II - and that is why certain things are plain "clear". Of course, the whole plot of the film takes place solely within the lines of the Republican forces. Of course, it takes an unequivocal stand against Franco's fascism and its followers. Of course, the male lead, an expert for explosives, is a sincere American who stands on the right side. But without any cynicism, For Whom the Bell Tolls is in an utterly positive sense straight, straightforward, "clear", or however you want to word it.

Sam Wood shaped the story through three strands: the love between María (Ingrid Bergman) and Robert (Gary Cooper), the preparations of a detonation and the conflict in the group with Pablo (Akim Tamiroff). Here, Wood presents a set of excellent characters. Pablo, brilliantly played by Tamiroff, as the most enigmatic of the ensemble, does not only bring trouble into the group, but also impersonates a man who is torn between friendship/solidarity and personal interest. Robert is a sober, prudential, reflecting man who knows what he wants, but sees danger in his love for María. He is not an ignorant macho, but someone who carefully listens, evaluates and then decides. And then there is Pilar, played by Katina Paxinou, this rough, angular, active woman with heart, a heart which is not only on the right place, but also has a deep feeling for what is going wrong in her country and what danger is coming up for her and her people if Franco might win the war. It seems as if Wood adapted a real and important protagonist of the Civil War with the character of Pilar: the Communist leader Dolores Ibarruri aka "La Pasionaria".

With this variety of human patterns, Wood gives us a cross-section through a small, "spatially limited" civil society where the story line can be interpreted in context to the events in 1943 in Europe. Hitler and his allies are at the high peak of their conquest- and extermination campaigns. In this respect, the film asks the question, how democracy is going to work after the terror is defeated, taking also those into account who are erratic and cowardly like Pablo. And it asks the question for consideration between betrayal and solidarity, love and necessity.


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