This is the remarkable story of an American icon who changed the sport of big wave surfing forever. Transcending the surf genre, this in-depth portrait of a hard-charging athlete explores ... See full summary »
Laird John Hamilton
Set inside a single room in Folsom Prison, three men from the outside participate in a four-day group-therapy retreat with a group of incarcerated men for a real look at the challenges of rehabilitation.
Set over one summer, the film follows precocious 6-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
Long careers are drawing to a close for John and Amanda, who teach Latin, English, and guitar at a stately home-turned-school, where they are legends with a mantra: "Reading. 'Rithmetic. Rock 'n' roll!" But leaving is the hardest lesson.
California Typewriter is a story about people whose lives are connected by typewriters. The film is a meditation on creativity and technology featuring Tom Hanks, John Mayer, Sam Shepard, David McCullough and others.
Using a trove of unseen footage, the film tells the story of Jane Goodall's early explorations, focusing on her groundbreaking field work, her relationship with cameraman and husband Hugo van Lawick, and the chimpanzees that she studied.
Dina reaches for a stranger's hand, unaware of the social constructs that have ruled this action taboo. She's a woman that overflows with honesty and is incapable of deceit. Grasping the assistant's hand, Dina compassionately squeezes, knowing that a drill in her mouth pales in comparison to the blades of her past.
After far too long, Dina has chosen to marry again. Scott is the most personable Walmart employee in town, and has an obsession for his sports teams and Evanescence. Dina's vice is plush toys the Kardashians. Together they only share interest in one another.
Scott's ESPN app chimes audible tension as Dina sighs at her scatterbrained finance. Dina's not-so-subtle seductions fly clear over Scott's head, but it is impossible to scold his density. The truth is that Scott's confidence has always been in limited supply, while Dina has floated to the surface of hell.
Scott tells Dina that he would be dead if he had lived her life. They are trying to savage their remaining years, but childlike innocence might clog their engines. Terrors of Dina's past spill out of her mouth, but the faucet of exposition is throttled to perfection by the filmmakers.
Love hands out second chances, and patience does not always appear kind. The complexities of joining grow more compelling when the subjects are honest to a fault. Life becomes more the television programming, evolving into terrible foot massages and onomatopoeic kisses.
Dina offers the intangible "perspective". She becomes irritated, but always for appropriate reasons. More so, she articulates her frustrations openly. This skill has been pushed into the recesses of human expression. Peering into Dina's struggles and triumphs inspire a straight-forward, authentic approach to living, one that looks a little funny, but the laughter fills the gashes.
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