A girl called Erin has been murdered in her Nottingham flat. Coleen,her sister,and Stefan,a young soldier arrested by the police after being seen covered in blood,give their accounts to camera of how...
Wealthy American Arla Beckman, who founded Liferaft, a philanthropic charity organization for helping kids in trouble, is missing. Known to have been in an extramarital affair with divorced English ...
Paul Finchley is a bona fide "national treasure", one half of a popular, long-running comedy double act. However, the famous comedian's world is thrown into chaos when he is accused of historic sexual abuse.
A lawyer returns to Britain to become the first black Director of Public Prosecutions. She begins to suspect that everything she knew about the man she has been married to for the past 20 years is a lie.
Marcella Backland left the Metropolitan Police for the sake of her family, only to have her husband leave her. She returns to her job on the murder squad, investigating a case that seems disturbingly familiar to her.
IT'S NOT A DATE tells the story of Carly and Milo, a couple in their twenties on their first date. Although "It's not a date" but more of a casual meet at a local club; it begins as a ... See full summary »
A monologue, as a form of dramatic exposition, is all about the reveal: someone tells you their story, in a way that seems natural, but the twist is in the telling: as the story is told, so the narrator's perspective on what they have to say changes, and the message of the story is not that they might have been intending to pass on. Of course, first person novels sometimes work like this as well. But in the televisual form, something is lost in the format - the ability to show, rather than tell - so to be justified, there has to be something gained in the telling. 'Murder' doesn't quite take the form of a pure monologue: instead, each episode consists of the interspersed monologues of a number of characters, all involved in an act of killing. There's minimal dramatic reconstruction around the storytelling. It's an unusual approach, but it works: the writing, acting and understated direction is all well done. It's a bit formal, yet one can actually end up empathising with those involved, even with those who are eventually revealed to have actually done the deed. If all television was like this, I guess it would quickly grow boring; as it is, it's a pleasantly grown-up and intelligent drama, and one that rewards the attention of its audience.
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