Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
Kumail (Kumail Nanjiani), in the middle of becoming a budding stand-up comedian, meets Emily (Zoe Kazan). Meanwhile, a sudden illness sets in forcing Emily to be put into a medically-induced coma. Kumail must navigate being a comedian, dealing with tragic illness, and placating his family's desire to let them fix him up with a spouse, while contemplating and figuring out who he really is and what he truly believes Written by
Brett Lee Swerbilow (email@example.com)
The fight between Emily and Kumail, when Emily discovers the pictures of Pakistani women in Kumail's room, never happened in real life. The real Emily, however, did recall how tension had arisen between two after Kumail wouldn't introduce her to his family. See more »
When Holly Hunter is signing papers to discharge her daughter from the hospital, she checks the time on her watch by looking at the bottom of her wrist. However, the face of the watch is on the top of her wrist, so she wouldn't be able to see the time. See more »
I didn't heckle you, just woo-hoo'd you. It's supportive.
Okay, that's a common misconception. Yelling anything at a comedian is considered heckling. Heckling doesn't have to be negative.
So, if I... if I yelled out like... *you're amazing in bed*, that'd be a heckle?
Yeah. It would be an accurate heckle.
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In the beginning of the end credits, photos of shown of the real-life inspiration behind the Emily character, as well as the wedding between Emily V. Gordon and Kumail Nanjiani and Nanjiani's real-life parents. See more »
One of my favorite things to do is go into a movie completely blind. Not watch a trailer, look at a poster, or even the cast list. It's incredibly difficult to do in today's age, especially because of how much I enjoy watching trailers, but when the chance comes along to see a movie with no prior knowledge, I take it.
The Big Sick is one of those rare movies that presents itself as 3 genres, in this case Drama, Comedy, and Romance, and it services each of those genres equally. So well that you have to mention all 3 if you're talking about the movie. It's not just a Rom-Com or a Rom- Dram, it's most certainly a Rom-Com-Dram. I haven't seen a film so effortlessly balance the 3 genres. This is all while seemingly reinvent the formula for a romantic comedy to beautifully fresh results. The Big Sick uses witty humor, charming leads, and socially important topics to give us the best film of the summer thus far.
A romance is only as good as its leads and their chemistry. Luckily, Kumail Nanjiani and Zoe Kazan grace the screen with a refreshingly awkward and charming presence. Being that I haven't really seen either of them in anything else, their relationship felt miraculously original. The Big Sick is based on Nanjiani's actual life, but this felt like a comedy unrestricted by real-life accounts while also honoring a serious subject matter that has its place. However, the two's chemistry isn't all this film has, its entire ensemble is something to behold. Ray Romano, Holly Hunter, Anupam Kher, Adeel Akhtar, Zenobia Shroff, and the various comedians do a wonderful job of rounding out the fantastic cast.
It doesn't fall back into genre clichés or tropes, doesn't fall back into an overly physical comedy (like most comedies do now), and it most certainly doesn't go the direction you think it's going to go. The Big Sick benefits from having a diverse cast and story and an impeccably funny but also poignant script. Heck, it also doesn't hurt that it takes place and was filmed in my hometown of Chicago. But the important thing is, this film restores my faith (once again) in original romantic comedies. Go see it.
+Funny & heartwarming
+Balances its 3 genres impressively
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