A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
A dark force threatens Alpha, a vast metropolis and home to species from a thousand planets. Special operatives Valerian and Laureline must race to identify the marauding menace and safeguard not just Alpha, but the future of the universe.
The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O'Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.
WIND RIVER is a chilling thriller that follows a rookie FBI agent (Elizabeth Olsen) who teams up with a local game tracker with deep community ties and a haunted past (Jeremy Renner) to investigate the murder of a local girl on a remote Native American Reservation in the hopes of solving her mysterious death. Written by
Elizabeth Olsen, Jeremy Renner, and Jon Bernthal are all part of the Marvel Cinematic Universe. Olsen as Scarlet Witch, Renner as Hawkeye, and Bernthal as The Punisher in Netflix's Daredevil and The Punisher. See more »
When Jeanne Banner asks if the victim lived nearby, Ben mispronounces the name of the town as "Fort Walk-a-she" but the actual name of the real Wyoming town is Fort Washakie. See more »
[on his sister]
You said was... what do you mean by Was? What Do You Mean By Was?... WHAT DO YOU MEAN BY WAS?
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Taylor Sheridan depicts another dilapidated region of America
If you've seen any of Taylor Sheridan's previous work, you probably noted that he has a certain style. He tells stories about ways of life in dilapidated regions of the country. He blurs the lines between "good guys" and "bad guys," instead framing the status of the selected region as the truest villain. What's right and wrong, considering all the unique variables of each story, is not always clear. At least, that was case in Sicario and Hell or High Water.
In Wind River, the region is still presented with all the strain that is causes on the lives of its residents, but a much more obvious villain is revealed before the movie is over.
Hell of High Water frames the crumbling economy of a certain Texas region as the real source of evil, rather than any characters. Whereas in Wind River the source of evil is definitely the rapist. I mean, the rapist attempts to blame the cold and silence, but his actions were clearly much worse than bad weather.
Sheridan's previous films also left doubt about who were the heroes, who the audience should be rooting for. This time it was much less ambiguousthey were the people searching for the rapist.
An emerging theme in Sheridan's movies appears to be Tarantinoesque eruptions of violence, sometimes near the conclusion. They don't always reach the levels of the Django Unchained shootout, but Sheridan clearly isn't shy about showcasing the unforgiving damage that can be inflicted by firearms.
Complaints, I have a few. On more than one occasion, I legitimately could not understand what a character had said, so I was left wondering if I missed something important. I'm not sure if this manner of speaking was a choice made by the actors or if this was a decision made by Sheridan to establish a certain tone. Either way, I could have used less mumbling.
The other complaint that I have, and this is more serious, the middle third of the movie felt like it contained a lot of empty moments. This may or may not have been related to the times that I couldn't understand what a character said. Still, the movie could have used a bit of its fat trimmed. It wasn't as crisp and clean as Hell or High Water and Sicario. And I know I keep comparing this movie to Sheridan's others, but that's bound to happen when a writer sets the bar so high with two gems.
On the whole, I consider this a success for Sheridan in his directorial debut. I'd happily watch another story of his about justice and an overlooked culture.
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